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The marriage of William Michael Rossetti (1829-1919) and Lucy Madox Brown (1843-1894) united two of the most resonant Pre-Raphaelite family names. Their passionate and ultimately tragic relationship - described here for the first time - provides a fresh perspective on nineteenth-century marriage and on the private lives of eminent Victorians. Sibling of Dante Gabriel and Christina Rossetti, William was one of the original Pre-Raphaelite 'Brothers,' a Bohemian, radical author, poet, critic, artist, connoisseur, biographer, historian, and taxman. Lucy, the intense, intellectual daughter of Ford Madox Brown, was an ambitious artist and biographer of Mary Shelley in spite of struggling with tube...
As mass media burgeoned in the years between the first and second world wars, so did another phenomenon—celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work. Women, Celebrity, and Literary Culture between the Wars profiles seven American, Canadian, and British women writers—Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield—who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill in...
These three volumes of letters by Algernon Charles Swinburne add approximately 600 letters by this poet that were not available when Cecil Y. Lang published his six volume edition of Swinburne's letters. The volumes also contain a selection of several hundred other letters addressed to Swinburne.
The history of British Columbia's economy in the twentieth century is inextricably bound to the development of the forest industry. In this comprehensive study, Gordon Hak approaches the forest industry from the perspectives of workers and employers, examining the two institutions that structured the relationship during the Fordist era: the companies and the unions. He relates daily routines of production and profit-making to broader forces of unionism, business ideology, ecological protest, technological change, and corporate concentration. The struggle of the small-business sector to survive in the face of corporate growth, the history of the industry on the Coast and in the Interior, the transformations in capital-labour relations during the period, government forest policy, and the forest industry's encounter with the emerging environmental movement are all considered in this eloquent analysis.
In the 1890s, Rossland was the most important mining centre in southeastern British Columbia. In Roaring Days, Jeremy Mouat examines many different aspects of mining, from work underground to corporate strategies. He also brings to life the unique individuals who were a part of this history -- the miners who toiled long hours under unimaginable working conditions, the citizens of Rossland who built a bustling town out of the wilderness, and the mine owners and entrepreneurs who became wealthy beyond all expectations.
In the nineteenth century coal-miners imported from Europe, Asia, and eastern North America burrowed beneath the Vancouver Island towns of Nanaimo, Wellington, and Cumberland. No group was as numerous and influential in this enterprise as the hundreds of British immigrants who travelled half-way around the world to take up back-breaking work in the most remote colony in the Empire. What drew the British miners and their families to the north Pacific? Why did they set aside six months to journey to a colony about which they knew little? Once they reached Vancouver Island, what did they make of it and what did they make it into? And how did they re-make themselves in the process? In Colonizati...
Captain James Cook first made contact with the area now known as British Columbia in 1778. The colonists who followed soon realized they needed a written history, both to justify their dispossession of Aboriginal peoples and to formulate an identity for a new settler society. Writing British Columbia History traces how Euro-Canadian historians took up this task, and struggled with the newness of colonial society and overlapping ties to the British Empire, the United States, and Canada. This exploration of the role of history writing in colonialism and nation building will appeal to anyone interested in the history of British Columbia, the Pacific Northwest, and history writing in Canada.
Colnett's journal of this expedition is published here for the first time. Editor Robert Galois provides extensive annotations, along with an introductory essay addressing the geopolitical context of the voyage and the intellectual background that shaped the writing of the journal. Galois supplements Colnett's writings with extracts from a second journal -- also previously unpublished -- by Andrew Bracey Taylor, third mate on one of the ships under Colnett's command. Also included are illustrations from Colnett's journals and a variety of maps, both contemporary and historical.
York explores collaborative writing from women in Britain, the United States, Italy and France, illuminating the tensions in the collaborative process that grow out of important cultural, racial, and sexual differences between the authors.
This collection includes 150 letters Emily Carr wrote to her friends Nan Cheney and Humphrey Toms, and 100 other letters relating mainly to Emily Carr. The letters date from 1930 to 1945, the most prolific period in Carr's career as both painter and writer. In them she writes in colourful detail about her everyday activities, and discusses her painting - "the biggest thing in my life." There are outbursts of exasperation and anger as well as many indications of her caring, her warmth, her wisdom and her wit, and of her impatience with critics and poseurs, and they give insights into her various relationships with, among others, Lawren Harris, Ira Dilworth, Jack Shadbolt, Garnett Sedgewick, Dorothy Livesay, A.Y. Jackson, and Arthur Lismer.