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Originally published at the zenith of Nazi Germany's power, Steinbeck's fable THE MOON IS DOWN explores the effects of invasion on both the conquered and the conquerors. Occupied by enemy troops, a small, peaceable town comes face-to-face with evil imposed from the outside and betrayal from within the close-knit community. As he delves into the motivations and emotions of the enemy, Steinbeck uncovers profound and often unsettling truths both about war and human nature.
John Ernst Steinbeck Jr. has been called "a giant of American letters”. During his writing career, he authored 33 books, including 16 novels, six non-fiction books, and two collections of short stories. His magnum opus ‘The Grapes of Wrath’ (1939), which epitomises the harrowing events of the Clutch Plague era, stirred widespread sympathy for the plight of migrant workers. Many of Steinbeck's works are set in the Salinas Valley of his childhood and they frequently explore themes of fate and the injustices suffered by their everyman protagonists. Fashioned with rich symbolic structures, they convey archetypal qualities in enduring characters, winning for Steinbeck the 1962 Nobel Prize for Literature. The major works of Steinbeck are In Dubious Battle, Of Mice and Men, The Grapes of Wrath, East of Eden, Travels with Charley.
Documents life among the Kayapo Indians of central Brazil, a fiercely independent tribe, who were forced to become "businessmen" or see their traditional way of life destroyed.
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Celebrates the American writer who in his works confronted and explored the social fabric of the United States in the early 20th century. More than 500 entries include synopses of his novels, short stories, and nonfiction; descriptions of his characters, details about family, friends, and associates.
An “essential” study of what Americans watched during wartime, and how films shaped their understanding of events (Publishers Weekly). During the highly charged years of World War II, movies perhaps best communicated to Americans who they were and why they were fighting. These films were more than just an explanation of historical events: they asked audiences to consider the Nazi threat; they put a face on both our enemies and allies, and they explored changing wartime gender roles. We’ll Always Have the Movies shows how film after film repeated the narratives, character types, and rhetoric that made the war and each American’s role in it comprehensible. Robert L. McLaughlin and Sall...
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