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In 1966 the National Museum of Man launched a major program of prehistoric research on the northern coast of British Columbia, a project which was carried out over two decades. An important part of that program was the mapping and recording of the major villages of the Haida on the Queen Charlotte Islands. In Chiefs of the Sea and Sky, archaeologist George F. MacDonald provides an overview of this extensive research on the Haida. He recounts the history of eighteen of the major villages, telling the story of their people and describing the site of their houses and other known structures. In his introduction, he explains how the Haida's immense cedar houses and totem poles are part of a fascinating spiritual and material culture which integrates family, history, ritual, and mythology. The numerous historical photographs which accompany the text illustrate the richness and variety of Haida sculpture; they show the villages at the height of their glory in the 1880s and 1890s and in their subsequent and tragic decay.
Describes Ninstints, the ruins of a Kunghit Haida village located in southern Queen Charlotte Islands, B.C. which was declared a UNESCO World Heritage Site in 1981. Also includes brief history of Kunghit Haida Indians and discussion of preservation of village. Aimed at senior students, but useful to grades 4 and up.
For centuries the Haida lived on the Queen Charlotte Islands, a remote archipelago off the Northwest Coast of North America. Art, myth and ceremony were an integral part of their lives, and over time they developed a rich, distinctive and powerful style of sculpture and painting. By the time the first Europeans landed on the shores of their homeland, Haida art had attained a refined and noble sophistication of style to display complex myths of creation and transformation. This superb volume, the definitive book on Haida art, presents the most treasured works in what is considered the world's best collection, at the Canadian Museum of Civilization. It is richly illustrated with 90 full-color photos of artworks (such as masks, pipes, rattles and other ceremonial objects), and 95 black-and-white photographs of artworks and rare historical images that provide glimpses into the past. The descriptive text by George MacDonald, author of the classic Haida Monumental Art, provides an informed overview of Haida art in a historical, cultural and cosmological context.
The Haida of the Queen Charlotte Islands in British Columbia constructed some of the most magnificent houses and erected some of the most beautifully carved totem poles on the Northwest Coast. During the last quarter of the nineteenth-century, images of the Haida's immense cedar houses and soaring totem poles were captured, first on glass plates and later on film, by photographers who travelled to then-remote villages such as Masset and Skidegate to marvel at, and record, what they saw there. Haida Monumental Art, initially published as a limited edition hardcover and finally available in paperback, includes a large number of these remarkable photographs, selected from a collection of over 1...
An 365-day anthology of readings from one of the most influential writers of all time, George MacDonald, compiled by CS Lewis himself. MacDonald was a major Christian writer of the late nineteenth, early twentieth centuries. He influenced nearly everyone who was a major twentieth century writer (including Lewis Carroll, WH Auden, JRR Tolkien, Walter de la Mare, and CS Lewis. Not only was he a pioneer in the fantasy fiction genre, laying the path for people like Tolkien to write Lord of the Rings, but also a major Christian thinker, which influenced Lewis profoundly. Lewis, in fact, wrote that MacDonald was his 'master', and said 'I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself.' These words will challenge and uplift you, and illuminate the faith which underpins all of CS Lewis's popular and enduring writing.
Phantastes : A Faerie Romance by George MacDonald, first published in 1874, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
The imagination has been called, 'the principal organ for knowing and responding to disclosures of transcendent truth'. This book probes the theological sources of the imagination, which make it a vital tool for knowing and responding to such disclosures. Kerry Dearborn approaches areas of theology and imagination through a focus on the nineteenth century theologian and writer George MacDonald. MacDonald can be seen as an icon whose life and work open a window to the intersection of word, flesh and image. He communicated the gospel through narrative and image-rich forms which honour truth and address the intellectual, imaginative, spiritual, and emotional needs of his readers. MacDonald was ...
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Harry Flashman: the unrepentant bully of Tom Brown's schooldays, now with a Victoria Cross, has three main talents - horsemanship, facility with foreign languages and fornication. A reluctant military hero, Flashman plays a key part in most of the defining military campaigns of the 19th century, despite trying his utmost to escape them all. Flashman, soldier, duellist, lover, imposter, coward, cad and hero, triumphs in this first instalment of The Flashman Papers. His adventures as the reluctant secret agent in Afghanistan and his entry into the exclusive company of Lord Cardigan's Hussars culminate in his foulest hour - his part in the historic disaster of the Retreat from Kabul. This is the story of a blackguard who enjoyed villainy for its own sake. Shameless, exciting and funny, Flashman's deplorable odyssey is observed with the cynical eye of a scoundrel who was honest only in reporting what he saw. He makes all other black sheep look respectable grey.