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A Biographical Dictionary of Actors, Volume 5, Eagan to Garrett
In contrast to each other, Volume 5 is a sociological portrait of mostly little people in their tragic and comic efforts to achieve fame on the London stage during the Restoration and eighteenth century, whereas Volume 6 is dominated by the glamour of David Garrick, Nell Gwyn, and Joseph Grimaldi, the celebrated clown. Some 250 portraits individualize the great and small of the theatres of London.
Life Mask
Privilege has a price for three high-society Londoners in this eighteenth-century historical novel by the author of Room and The Pull of the Stars. In a time of looming war, of glittering spectacle and financial disasters, the wealthy liberals of the Whig Party work to topple a tyrannical prime minister and a lunatic king. Marriages and friendships stretch or break; political liaisons prove as dangerous as erotic ones; and everyone wears a mask. Will Eliza Farren, England's leading comedic actress, gain entry to that elite circle that calls itself the World? Can Lord Derby, the inventor of the horse race that bears his name, endure public mockery of his long, unconsummated courtship of the actress? Will Anne Damer, a sculptor and rumored Sapphist, be the cause of Eliza's fall from grace? Let the games begin . . . “Mesmerizing. With the French Revolution raging in the background, Donoghue has lighted on another terrific story, and she pulls off a dazzling feat of choreography.” —Julia Livshin, The Washington Post Book World “Few will be able to put it down before its enthralling tales end.” —Chicago Tribune
The History of Actuarial Science Vol V
A book which covers the key period in the history of actuarial science from the mid-17th century to the early 19th century. There are reprints of the most important treatises, pamphlets, tables and writings which trace the development of the actuarial industry.
English Theatrical Anecdotes, 1660-1800
The essays in English Theatrical Anecdotes, 1660-1800 explore the theatrical anecdote’s role in the construction of stage fame in England’s emergent celebrity culture during the long eighteenth century, as well as the challenges of employing such anecdotes in theatre scholarship today. This collection showcases scholarship that complicates the theatrical anecdote and shows its many sides and applications beyond the expected comic punch. Discussing anecdotal narratives about theatre people as producing, maintaining, and sometimes toppling individual fame, this book crucially investigates a key mechanism of celebrity in the long eighteenth century that reaches into the nineteenth century and beyond. The anecdote erases boundaries between public and private and fictionalizing the individual in ways deeply familiar to twenty-first century celebrity culture.
The Lancet London
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The Annual Register
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