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"What is post-colonial theology? How does it relate to theology that emerged in historically colonial situations? These are two questions that get to the heart of Robert S. Heaney's work as he considers the extent to which theologians predating the emergence of post-colonial theology might be considered as precursors to this theological movement. Heaney argues that the work of innovative theologians John S. Mbiti and Jesse N.K. Mugambi, important in their own right, must now also be considered in relation to the continued emergence of post-colonial theology. When this is done, fresh perspectives on both the nature of post-colonial theology and contextual theology emerge. Through a sympathetic and critical reading of Mbiti and Mugambi, Heaney offers a series of constructive moves that counter the ongoing temptation toward acontextualism that continues to haunt theology both in the North and in the South."
In summer 1862, Minnesotans found themselves fighting interconnected wars—the first against the rebellious Southern states, and the second an internal war against the Sioux. While the Civil War was more important to the future of the United States, the Dakota War of 1862 proved far more destructive to the people of Minnesota—both whites and American Indians. It led to U.S. military action against the Sioux, divided the Dakotas over whether to fight or not, and left hundreds of white settlers dead. In Columns of Vengeance, historian Paul N. Beck offers a reappraisal of the Punitive Expeditions of 1863 and 1864, the U.S. Army’s response to the Dakota War of 1862. Whereas previous account...
An autobiography of one of Kenya's foremost scholars and medical researches, one time Vice-Chancellor of the University of Nairobi and a key figure in the search for a viable solution to HIV/AIDS in Kenya and Africa more widely. He tells his account against the background of events and developments in Kenya's history covering his early life and rural up bringing, his time as a medical practitioner and educator in the Kenyatta period, and his later role as an administrator in public life.
A celebration of corn palaces, crop art, and butter sculpture from the late nineteenth and early twentieth centuries