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For the past 45 years, George Krause has worked on four distinct series of photographs, each represented in this volume. "The Street" is an oblique journal of places, including Mexico, Spain, Italy, and Philadelphia, where the artist has lived and worked. The objects photographed in "Qui Riposa" are tombstones and cemetery monuments; in "Saints and Martyrs," religious statuary; and in "I Nudi," naked human models. From these common objects arise pictures of great beauty and mystery.
This historiographic study of K'tut Tantri - alias Vannen Walker, the journalist from the Isle of Man; Muriel Pearson, the unhappy wife; and Surabaya Sue, the notorious revolutionary - compares her romantic and colorful autobiography, Revolt in Paradise, with other versions of her past, including those of her fellow Bali colonists and her revolutionary comrades, as well as her foes, the Dutch, and various intelligence organizations. These alternatives accounts of her past question the image of K'tut Tantri as hero, portraying her instead as dishonest, unstable, egotistical, and immoral. Such criticisms have overshadowed proper recognition of her role in the development of modern Indonesia, b...
Stanley Kubrick's 'A Clockwork Orange' brings together critically informed essays about one of the most powerful, important and controversial films ever made. Following an introduction that provides an overview of the film and its production history, a suite of essays examine the literary origins of the work, the nature of cinematic violence, questions of gender and the film's treatment of sexuality, and the difficulties of adapting an invented language ('nadsat') for the screen. This volume also includes two contemporary and conflicting reviews by Roger Hughes and Pauline Kael, a detailed glossary of 'nadsat' and stills from the film.
This a highly illustrated guide to the work of film director, Stanley Kubrick.
"... collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over the course of thirty years by New York collector W. M. Hunt, the collection includes works by masters such as Richard Avedon, Diane Arbus, Imogen Cunningham, William Klein, Robert Mapplethorpe, and Robert Frank as well as lesser-known artists and vernacular images." --book jacket.
Tells the author's story of how she and her husband ventured to Alaska during the Depression to teach and work with the Eskimos