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Erased
How a field built on the intellectual labor and expertise of women erased them The academic field of international relations presents its own history as largely a project of elite white men. And yet women played a prominent role in the creation of this new cross-disciplinary field. In Erased, Patricia Owens shows that, since its beginnings in the early twentieth century, international relations relied on the intellectual labour of women and their expertise on such subjects as empire and colonial administration, anticolonial organising, non-Western powers, and international organisations. Indeed, women were among the leading international thinkers of the era, shaping the development of the fi...
Judicially Crafted Property Rights in Valuable Intangibles
Apostolos G. Chronopoulos addresses the doctrinal contentions surrounding the doctrine of misappropriation while offering a comprehensive and critical review of the relevant case law that takes into consideration the rich academic commentary on the topic.
June 1940, Great Britain and the First Attempt to Build a European Union
June 2016 represents a significant moment in British history. The decision to leave the European Union at the most critical period since its existence could bring unpredictable and far-reaching consequences both for the United Kingdom and the Union itself. June 1940 was also a turning point in British history. On the afternoon of 16 June, a few hours before the French Government opted for the capitulation, Churchill made, on behalf of the British Government, an offer of “indissoluble union.” When a sceptical Churchill put forward to the British Cabinet the text of the declaration drafted by Jean Monnet, Sir Arthur Salter, and Robert Vansittart, he was surprised at the amount of support i...
Colonial Adventures: Commercial Law and Practice in the Making
Colonial Adventures: Commercial Law and Practice in the Making addresses the question how and to what extend the development of commercial law and practice, from Ancient Greece to the colonial empires of the nineteenth and twentieth centuries, were indebted to colonial expansion and maritime trade. Illustrated by experiences in Ancient Europe, the Americas, Asia, Africa and Australia, the book examines how colonial powers, whether consciously or not, reshaped the law in order to foster the prosperity of homeland manufacturers and entrepreneurs or how local authorities and settlers brought the transplanted law in line with the colonial objectives and the local constraints amid shifting economic, commercial and political realities. Contributors are: Alain Clément (†), Alexander Claver, Oscar Cruz-Barney, Bas De Roo, Paul du Plessis, Bernard Durand, David Gilles, Petra Mahy, David Mirhady, M. C. Mirow, Luigi Nuzzo, Phillip Lipton, Umakanth Varottil, and Jakob Zollmann.
Playhouse Law in Shakespeare's World
There is a human face to Shakespeare's theatrical world. It has been captured and preserved in the amber of litigious activity. Contracts for playhouses represent human aspiration: an avaricious hope for profit or an altruistic desire to provide for a family. Lawsuits have preserved the declarations of rights and the righteous indignations as well as the fictions and half-truths under which the Renaissance theater flourished. Leases and agreements preserve the intentions, honest or dishonest, of the men who wrote, performed, and bankrolled the drama of Shakespeare and his contemporaries. The period 1590-1623, the limits of the original Shakespearean enterprise, resemble nothing so much as a third of a century of the sort of squabbling, shoving, and place-seeking familiar to every modern theatrical professional.
Drama of a Nation
During the sixteenth and seventeenth centuries, in the midst of an international florescence of drama, the English and Spanish theaters displayed striking and unique similarities. Although these two national theaters developed in relative isolation from each other, in both countries the plays synthesized native popular traditions and neoclassical learned conventions, a synthesis found neither in the more elite Italian and French drama of the time nor in any other European drama before or since. In Drama of a Nation, Walter Cohen illuminates the causes of this significant parallel development. Working from a Marxist perspective, Cohen seeks to establish correlations among individual plays, dr...
King Lear and the Naked Truth
Opening the play up to the implications of these contexts and this interpretive theory, she reveals much about Lear, English Reformation religious culture, and the state of contemporary criticism.
