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Alois Riegl (1858-1905) was one of the founding fathers of modern formalist criticism. As a member of the Vienna School of Art Historians, he shared their range of interests in the decorative arts, art in transition, conservation and monuments. This collection of critical essays examines various facets of Riegl's work and opens with a new translation of Hans Sedlmayr's famous, and notorious,Die Quintessenze der Lehren Riegls. Included is Julius von Schlosser's assessment of Riegl's contribution to the Vienna School of Art Historians as well as essays by a team of international scholars. This book offers a re-engagement with the ideas of one of the most important and neglected art historians of the 20th century.
The civilization of ancient Egypt has been a source of fascination for explorers and scholars for centuries, and has occupied a special place in the imagination of the public ever since early travellers' descriptions and illustrations of the strange culture of temples, tombs and hieroglyphs began to circulate around the world. The story of Egyptology from a hobby for the educated and wealthy to a highly formalized academic discipline provides the key to understanding how and why we know what we know about ancient Egypt. This biographical dictionary tells the stories of the most important contributors and will be an indispensable reference tool for scholars and enthusiasts alike. Who Was Who in Egyptology remains one of the most important reference works for understanding the characters that contributed to the field of Egyptology and Egyptian archaeology from the Napoleonic invasion of Egypt through to the present day. The fifth edition bring entries up to 2019 and is expected to be the last volume produced in print.
This multi-disciplinary account of the fate of ancient monuments and technologies in Asia Minor studies the processes and their results with the help of archaeology, history, construction engineering, and travel documentation. To clarify changes, their causes and repercussions, it compares infrastructure engineering (transportation, water management, utilitarian architecture) in antiquity with developments over the past 200 years, using the accounts of European travellers and then of excavations. It analyses patterns of and reasons for the deterioration of material life, documenting the perceptions and understanding of Roman antiquities and engineering by populations living amidst ancient Roman art and architecture, roads, and aqueducts. These are complemented by travellers' accounts of the myriad aspects of the plundering of archaeological sites and antiquities.
In this volume, Alexander Nagel investigates the use of polychromy in the art and architecture of ancient Iran. Focusing on Persepolis, he explores the topic within the context of the modern historiography of Achaemenid art and the scientific investigation of a range of works and monuments in Iran and in museums around the world. Nagel's study contextualizes scholarly efforts to retrieve aspects of ancient polychromies in Western Asia and interrogates current debates about the contemporary use of color in the architecture and sculpture in the ancient Mediterranean world, especially in North Africa and the eastern Mediterranean. Bringing a multi-disciplinary perspective to the topic, Nagel also highlights the important role of theory, methodology, and conservation studies in the process of reconstructing polychromy in ancient monuments. A celebration of the work of painters, artisans, craftsmen and -women of Iran's past, his volume suggests frameworks through which historical and contemporary research play a dynamic role in the reconstruction of ancient technological knowledge.
The Hittites, one of the most powerful peoples of the ancient Near East, successfully challenged all other nations, including almighty Egypt, from their Anatolian stronghold. Then, their empire collapsed, was consigned to oblivion, and lay forgotten. Three thousand years later, a motley group of scholars, archaeologists, and adventurers rediscovered the Hittites in an enterprise spanning a century and weaving through the worlds of German kaisers, Turkish sultans, and even the Nazis. This is the history of the rediscovery of the Hittites, a story packed with intrigue and played out against a compelling historical backdrop. It involves colorful characters like an explorer fluent in 29 languages and an archaeologist who slept in royal tombs, along with Victorian historians, cuneiform experts, code-crackers, and grave robbers. These unlikely sleuths uncovered the very roots of the Hittite Empire.
divThe stories behind the acquisition of ancient antiquities are often as important as those that tell of their creation. This fascinating book provides a comprehensive account of the history and development of classical archaeology, explaining how and why artifacts have moved from foreign soil to collections around the world. As archaeologist Stephen Dyson shows, Greek and Roman archaeological study was closely intertwined with ideas about class and social structure; the rise of nationalism and later political ideologies such as fascism; and the physical and cultural development of most of the important art museums in Europe and the United States, whose prestige depended on their creation of collections of classical art. Accompanied by a discussion of the history of each of the major national traditions and their significant figures, this lively book shows how classical archaeology has influenced attitudes about areas as wide-ranging as tourism, nationalism, the role of the museum, and historicism in nineteenth- and twentieth-century art./DIV