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This exciting volume combines the diverse talents of an impressive range of writer-critics in an engaged and lively response to the poetry of Geraldine Monk. Monkâe(tm)s reputation as one of the most exciting and provocative writer-performers on the British scene has been established for some time and this new collection aims to reflect critically on a prolific career which has spawned fourteen major works in the last twenty five years. The contributions within pursue several lines of enquiry beginning with considerations of the early pamphlets published in the late seventies and early eighties, the substantial works of the mid-late 80s and 90s and the major collections of the beginning of ...
Strange little creature. Strange pale eyes, so full of fear. Strange little monk, his habit black as nightmares, his surplice grubby as spilt milk. Strange little boy shaped like a question mark, who are you?
In 1612, ten people from the Pendle area of East Lancashire were hanged as witches in the city of Lancaster. They had fallen victim to a language-magic far more potent than their own. Present day and historical abuse and misuse of language-magic, which determines degrees of freedom, is a recurring theme in the text of Interregnum, and culminates in the nemesis of the witches' monologues. The dualistic battleground of Pendle Hil forms the geographical and emotional nerve centre of the book. Using personal and historical coincidence, the writer integrates her own experience with interconnected sources, ostensibly the writing of the Poet and Jesuit, Gerard Manley Hopkins.
FREE VERSE EDITIONS Series Editor: Jon Thompson At the heart of THEY WHO SAW THE DEEP is the nature of water; water as giver and taker of life, luxuriant and lethal in equal measures. From the Libyan Sea to the savage sands of Morecambe Bay to the banks of the River Lune in the north of England where the poet's ancestors were rowed across the river in their coffins to their final resting place. The eponymous sequence of poems finds the poet in the illusory safety of her kitchen whilst the outer world grows increasingly disturbed with wars and wild weather. It is set against the backdrop of the shipping forecast and weaves the myths and legends of the ancient Mesopotamians through a litany of...
Poetry. 'Escafeld' is the Anglo-Saxon name for Sheffield. in ESCAFELD HANGINGS Geraldine Monk trawls through this 'City of Eternal Construction' concentrating mainly on the enigmatic figure of Mary Queen of Scots who was imprisoned there from 1570 until 1584. Without assuming personae ESCAFELD HANGINGS offers a psychological mapping of political imprisonment with its implications for our own time. It also presents a Queen of Scots who escapes into the future and talks as freely of Ikea and the Robin Hood Airport as of stomachers and jesters. In the final sequence Monk views our contemporary political landscape from the seclusion of her garden shed. Includes a CD of a performances of Mary Through the Looking Glass by Geraldine Monk and Ligia Roque.
Ghost & Other Sonnets will disturb and delight. Divided into three sections the sequence begins with the Ghost Sonnets. Using traditional ghost narratives Monk condenses them into the tightly controlled sonnet form and twists them into something totally new. Aficionados of ghost stories will revel in this reinvention of a popular genre. In the second section, & Sonnets there is a drastic mood change as personal experience and harrowing news items root the poems into the mundane world of everyday existence. Some of these poems delves into the dark reality of ‘unnatural’ happenings: the tragedies of the Beslan massacre or the Chinese cockle pickers whilst others rescue the banal and sweep ...
Women’s Experimental Poetry in Britain 1970–2010 presents the history and current state of a critically neglected, significant body of contemporary writing and places it within the wider social and political contexts of the period.
At the heart of this collection of poems is the nature of water; water as giver and taker of life, luxuriant and lethal in equal measures. It is set against the backdrop of the shipping forecast and weaves the myths and legends of the ancient Mesopotamians through a litany of migrations down the ages to the present day.
Lyric Interventions explores linguistically innovative poetry by contemporary women in North America and Britain whose experiments give rise to fresh feminist readings of the lyric subject. The works discussed by Linda Kinnahan explore the lyric subject in relation to the social: an “I” as a product of social discourse and as a conduit for change. Contributing to discussions of language-oriented poetries through its focus on women writers and feminist perspectives, this study of lyric experimentation brings attention to the cultural contexts of nation, gender, and race as they significantly shift the terms by which the “experimental” is produced, defined, and understood. This study f...
Introduction -- Contemporary British Poetry and Enigmaticalness -- Continuing 'Poetry Wars' in Twenty-First-Century British Poetry -- Committed and Autonomous Art -- Iconoclasm and Enigmatical Commitment -- The Double Consciousness of Modernism -- Conclusion.