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This book recounts in detail each of the incidents in respect of which members of An Garda Síochána, even today an unarmed police force, were awarded the Scott Medal, a uniquely Irish gallantry decoration. Based on a range of published and unpublished sources, along with the personal recollections of still-serving Gardaí and including outline career details for each medal recipient, it is the first compilation of its kind in respect of Irish police bravery awards. It represents not only a fitting tribute to those named therein but is also an important contribution to the history of the Force and to the social history of the Irish state.
Essays defend, discuss, and critique specific theories of consciousness with respect to various psychopathologies. In Disturbed Consciousness, philosophers and other scholars examine various psychopathologies in light of specific philosophical theories of consciousness. The contributing authors—some of them discussing or defending their own theoretical work—consider not only how a theory of consciousness can account for a specific psychopathological condition but also how the characteristics of a psychopathology might challenge such a theory. Thus one essay defends the higher-order thought (HOT) theory of consciousness against the charge that it cannot account for somatoparaphrenia (a de...
On 1 August 2008 Ger McDonnell became the first Irish person to summit K2. The decent of his expedition became one of the worst disasters in mountaineering history. An extensively researched story of bravery and heroism in the face of terrible odds.
This book examines one of the means through which successive Irish governments between 1922 and 1972 attempted to control the historical interpretation of the Irish past. This control was affected, though ineptly, by neglecting the care and development of government archives whilst rigidly restricting public and academic access to State-held historical documents. Chapters detail the slow recovery of the Public Record Office and State Paper Office following the catastrophic events of the civil war, and explore the tortuous relationship between civil servants, politicians and historians as a struggle began to secure a more liberal access policy. Another chapter investigates further the competi...
A boy wakes up in bed in a room built of stone. He knows his name is Stephen, but he can remember nothing else about himself. He discovers that he's in a remote monastery being looked after by a group of monks. Beyond the monastery walls, all traces of human life have simply disappeared. Villages deserted, doors left open, with taps left running, but no people. And with all means of communication down, he has no way of knowing if the rest of the world has disappeared too. Then the visitors arrive, strange men with unnatural powers, and when he discovers who they really are it turns his whole world inside out and changes everything he ever believed. Out of Nowhere was shortlisted for the Reading Association of Ireland Award 2001.
BRADLEY SPEAKS OUT FOR THE FIRST TIME – WITHOUT PERMISSION FROM THE IRA The IRA was Gerry Bradley's life. His sole interest was in 'ops' – carrying out on-the-ground war. Inspired, initially, to defend his home place against Loyalist threats, he became one of the most senior operators in Belfast IRA. When things turned political, there seemed to be no place for his kind of activism. THE INSIDE STORY BY A SENIOR IRA MAN
The Rat Bastard ProtectiveÊAssociation was an inflammatory, close-knit community of artists who livedÊand worked in aÊbuilding they dubbed Painterland in the Fillmore neighborhood of midcentury San Francisco. The artists who counted themselves among the RatÊBastardsÑwhich included Joan Brown, Bruce Conner, Jay DeFeo,ÊWallyÊHedrick, Michael McClure, and Manuel NeriÑexhibited a unique fusion of radicalism,Êprovocation, and community. Geographically isolated from a viable art market and refusingÊto conform to institutional expectations, theyÊanimated broader social andÊartistic discussions through their work and became aÊtransformative part of American culture over time. Anastasia Aukeman presents new and little-known archival material in this authorized account of these artists and their circle, a colorful cultural milieu that intersected with the broader Beat scene.
Six stories -- one set in Dublin, the others in the countryside -- about children who get caught up in the War of Independence and suffer dire consequences. Mattie Foley dreams of escaping the harshness of life in the Dublin slums, but her dreams and reality become dangerously entwined with the discovery of a gun. When Statia Mulligan sets off to get feed for the hens, she longs for the peace and quiet of her favourite spot by the stream; she doesn't expect to become part of an ambush. Larry Quinn goes after the cow that has strayed -- how could he know that in his absence the Black and Tans would force his mother to reveal all she knows?
It is 1916 and Europe is at war. From the poverty of the Dublin slums twelve-year-old Jimmy Conway sees it all as glorious, and loves the British Army for which his father is fighting. But when war comes to his own streets Jimmy's loyalties are divided. The rebels occupy the General Post Office and other parts of the city, and Jimmy's uncle is among them. Dublin's streets are destroyed, business comes to a halt. In an attempt to find food for his family, Jimmy crosses the city, avoiding the shooting, weaving through the army patrols, hoping to make it home before curfew. But his quest is not easy and danger threatens at every corner.