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Marxism, Christianity, and Islam
Roger Garaudy was for many years at the centre of the French Communist Party but was eventually expelled for his liberal views. In the Seventies, he strove to bring Marxism and Christianity together, to include all humanity in a project to set all people free. What emerges from Garaudy’s project is a very modern Marxism, with its emphasis on the individual, its ecological politics, and in its insistence on religion as central to human emancipation. Although Garaudy himself became frustrated by the failure of Marxism and converted to Islam, eventually resulting in his work being discredited in the West, it is certainly possible that Garaudy’s project represents a good, perhaps even the best, starting point for Marxism in today’s world.
Warped Rods and Squeaky Reels
Robert (Bob) Jones has had the pleasure of fishing Canada from coast to coast, and around the world. Warped Rods and Squeaky Reels tells of many funny fishing situations that have happened to him or one of his many friends and fishing companions. In Chapter Two, the author talks about his many memories and thoughts of fishing, Chapter Three deals with steelhead fishing stories and in Chapter Six he becomes a travelling angler. This is enjoyable reading for everyone, even couch potatoes.
Les Muses françaises (Gérard) Rosemonde Gérard
« Les Muses françaises » est un recueil de poèmes de Rosemonde Gérard, une poétesse et dramaturge française née en 1866 et morte en 1953. Elle est souvent associée au mouvement symboliste et a été l'épouse du célèbre écrivain et dramaturge Paul Claudel. Dans « Les Muses françaises », Gérard rend hommage à la poésie et à la culture française, célébrant la beauté et la richesse de la langue. Son style est caractérisé par une musicalité et une sensibilité qui reflètent ses émotions et ses réflexions sur l'art et la vie. Rosemonde Gérard a également écrit des pièces de théâtre et des romans, mais elle est surtout reconnue pour sa poésie, qui a souvent été mise en avant dans les cercles littéraires de son temps.
Women Taking Risks in Contemporary Autobiographical Narratives
Women Taking Risks in Contemporary Autobiographical Narratives explores the nature and effects of risk in self-narrative representations of life events, and is an early step towards confronting the dearth of analysis on this subject. The collection focuses on risk-taking as one of women’s articulations of authorial agency displayed in literary, testimonial, photographic, travel and film documentary forms of autobiographical expression in French. Among many themes, the book fosters discussion on matters of courage, strength, resilience, freedom, self-fulfillment, political engagement, compassion, faith, and the envisioning of unconventional alliances that follow a woman’s stepping out of ...
