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Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)
  • Language: en
  • Pages: 574

Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)

  • Type: Book
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  • Published: 2022-01-31
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  • Publisher: BRILL

(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.

Church, State, Vellum, and Stone
  • Language: en
  • Pages: 584

Church, State, Vellum, and Stone

  • Type: Book
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  • Published: 2005-12-01
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  • Publisher: BRILL

The sixteen essays in this volume were written to honor John Williams's contributions to the study of medieval Spanish art and architecture. Contributors from the fields of Art History, History, and Archaeology were chosen to demonstrate Williams's wide-ranging influence as scholar and teacher. Thus, the collection represents current research by scholars from five countries, providing an interdisciplinary, international, and even intergenerational view of the work being done in Spanish medieval History and Art History today. With contributions by Achim Arbeiter, Simon Barton, Ann Boylan, James D'Emilio, Angela Franco, Julie A. Harris, Peter K. Klein, Therese Martin, Eileen P. McKiernan González, Pamela Patton, David Raizman, Bernard F. Reilly, Diane Reilly, Rocío Sánchez Ameijeiras, José Luis Senra, and Kenneth B. Wolf.

The Medieval Iberian Treasury in the Context of Cultural Interchange (Expanded Edition)
  • Language: en
  • Pages: 320

The Medieval Iberian Treasury in the Context of Cultural Interchange (Expanded Edition)

  • Type: Book
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  • Published: 2020-11-16
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  • Publisher: BRILL

The Medieval Iberian Treasury in the Context of Cultural Interchange—expanded beyond the special issue of Medieval Encounters from which it was drawn—centers on the magnificent treasury of San Isidoro de León to address wider questions about the meanings of cross-cultural luxury goods in royal-ecclesiastical settings during the central Middle Ages. Now fully open access and with an updated introduction to ongoing research, an additional chapter, composite bibliographies, and indices, this multidisciplinary volume opens fresh ways into the investigation of medieval objects and textiles through historical, art historical, and technical analyses. Carbon-14 dating, iconography, and social history are among the methods applied to material and textual evidence, together shining new light on the display of rulership in medieval Iberia. Contributors are Ana Cabrera Lafuente, María Judith Feliciano, Julie A. Harris, Jitske Jasperse, Therese Martin, Pamela A. Patton, Ana Rodríguez, and Nancy L. Wicker.

Medieval Irish Architecture and the Concept of Romanesque
  • Language: en
  • Pages: 279

Medieval Irish Architecture and the Concept of Romanesque

This book presents a fresh perspective on eleventh- and twelfth-century Irish architecture, and a critical assessment of the value of describing it, and indeed contemporary European architecture in general, as “Romanesque”. Medieval Irish Architecture and the Concept of Romanesque is a new and original study of medieval architectural culture in Ireland. The book’s central premise is that the concept of a “Romanesque” style in eleventh- and twelfth-century architecture across Western Europe, including Ireland, is problematic, and that the analysis of building traditions of that period is not well served by the assumption that there was a common style. Detailed discussion of importan...

Romanesque Cathedrals in Mediterranean Europe
  • Language: en

Romanesque Cathedrals in Mediterranean Europe

Gerardo Boto Varela & Justin Kroesen, Romanesque Cathedrals in Mediterranean Europe: Balance and Perspectives. I. Shaping Cathedrals in the Pre-Romanesque Era: Beat Brenk, The Cathedrals of Early Medieval Italy: The Impact of the Cult of the Saints and the Liturgy on Italian Cathedrals from 300 to 1200. Jean-Pierre Caillet, French Cathedrals around the Year 1000: Forms and Functions, Antecedents, and Future. II. Building Romanesque Cathedrals on Older Substrates: Matthias Untermann, Between 'Church Families' and Monumental Architecture: German Eleventh-Century Cathedrals and Mediterranean Traditions. Mauro Cortelazzo & Renato Perinetti, Aosta Cathedral from Bishop Anselm's Project to the Rom...

Romanesque Architecture and its Sculptural in Christian Spain, 1000-1120
  • Language: en
  • Pages: 297

Romanesque Architecture and its Sculptural in Christian Spain, 1000-1120

The decades following the year 1000 marked a watershed in the history of the Iberian Peninsula when the balance of power shifted from Muslims to Christians. During this crucial period of religious and political change, Romanesque churches were constructed for the first time in Spain. Romanesque Architecture and Its Sculptural Decoration in Christian Spain, 1000-1120 examines how the financial patronage of newly empowered local rulers allowed Romanesque architecture and sculptural decoration to significantly redefine the cultural identities of those who lived in the frontier kingdoms of Christian Spain. Proceeding chronologically, Janice Mann studies the earliest Romanesque monuments construc...

Experiencing Medieval Art
  • Language: en
  • Pages: 376

Experiencing Medieval Art

  • Categories: Art

Renowned art historian Herbert L. Kessler authors a love song to medieval art inviting students, teachers, and professional medievalists to experience the wondrous, complex art of the Middle Ages.

Blurred Boundaries and Deceptive Dichotomies in Pre-Modern Texts and Images
  • Language: en
  • Pages: 266

Blurred Boundaries and Deceptive Dichotomies in Pre-Modern Texts and Images

This collection of essays focuses on the way blurred boundaries are represented in pre-modern texts and visual art and how they were received and perceived by their audiences: readers, listeners, and viewers. According to the current understanding that opposing cognitive categories that are so common in modern thinking do not apply to pre-modern mentalities, we argue that individuals in medieval and pre-modern societies did not necessarily consider sacred and secular, male and female, real and fictional, and opposing emotions as absolute dichotomies. The contributors to the present collection examine a wide range of cultural artifacts – literary texts, wall paintings, sculptures, jewelry, ...

Queen as King
  • Language: en
  • Pages: 406

Queen as King

  • Type: Book
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  • Published: 2006-10-31
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  • Publisher: BRILL

Queen as King traces the origins of San Isidoro in León as a royal monastic complex, following its progress as the site changed from a small eleventh-century palatine chapel housed in a double monastery to a great twelfth-century pilgrimage church served by Augustinian canons. Its most groundbreaking contribution to the history of art is the recovery of the lost patronage of Queen Urraca (reigned 1109-1126). Urraca maintained yet subverted her family’s tradition of patronage on the site: to understand her history is to hold the key to the art and architecture of San Isidoro. This new approach to San Isidoro and its patronage allows a major Romanesque monument to be understood more fully than before.

The Tarragona Vortex
  • Language: en
  • Pages: 1176

The Tarragona Vortex

This extensive bibliographic essay underpins the entire Tarragona Vortex study by focusing on this arena as one of the most contested frontiers in Western history, comparable to Jerusalem in the East, for broad issues of Romanization, Westernization, Islamization, and Christianization. Its book length chapters treat (1) diverse historiographies from local and Spanish to comparative Mediterranean and Crusade History, and especially Ethno-historiography and the explanatory concept of frontiers; (2) the phenomena of religion conversion and reform, and the conditioning agents of Islam and Latin Christianity in practice and adversity; (3) religious universalism and violence, especially religious war; (4) the Crusade and Reconquest paradigms and century-long debate; (5) the environment on land and sea, and setting for this History. Although these themes are explored to include due reconsideration but avoid major digressions in its telling about Tarragona and the Tarraconensis, they underly so much of Late-Antique and Medieval historical research that this discussion pertains to the whole field of historical, cultural, and religious studies.