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Theater Technology
George C. Izenour ties detailed information on construction, lighting, acoustical structures, electro-mechanical-hydraulic systems, and stage controls to a rich-history of technological developments from the invention of the proscenium stage in late Renaissance Italy to the contributions of our own time. All the drawings are produced on the same scale for plan, transverse section, and perspective section.
Proceedings of the 4th Biennial of Architectural and Urban Restoration. Host of the Itinerant Congress Hidden Cultural Heritage: Under Water, Under Ground and Within Buildings
The Biennial of Architectural and Urban Restoration is composed by a series of cultural events like seminars, shows, art exhibitions, projections of documentaries, debates, visits, all open and also aimed to the public. The purpose of these activities is to bring out the architectural and urban local heritage and raise public awareness to its protection, creating an international forum of discussion between countries with similar problems, but various economic and socio-political situations.
Social Protests in Colombia
Social Protests in Colombia: A History, 1958-1990 examines social mobilization in Colombia through a variety of lenses in an interdisciplinary approach. Mauricio Archila-Neira incorporates theories from diverse social sciences including subaltern studies and postcolonial approaches to open up an intergenerational dialogue about political transformation and social change. Archila-Neira approaches this history from an objective viewpoint, offering an analysis from a distance not altered by emotion or hyperbole as he examines the values, traditions, and social collective action of subaltern sectors without external influence or motive. The book argues that academia bears the responsibility to put into play its accumulated symbolic capital to critically understand society, without abandoning the utopic effort to imagine another world is possible. Social Protests in Colombia teaches readers how to inhabit differences—of historical experiences, knowledge, and understandings—and why it is crucial to challenge a world that claims to be homogenous. Scholars of Latin American studies, sociology, political science, and history will find this book especially useful.
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An Accidental Masterpiece
The Complex History of a Building With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture." This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement—up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986. Presumably the most important and influential architectural icon of the 20th century, uniquely documented and depicted On the occasion of the 50th anniversary of Mies’ death and the Bauhaus centenary Many never before published photographs from archives in the US, Germany and Spain
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