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Historical Earthquakes, Tsunamis and Archaeology in the Iberian Peninsula
Research on historical earthquakes and tsunamis in the Iberian Peninsula has made great strides in recent years, from diverse scientific fields ranging from geology to archaeology. In addition to the famous earthquake and tsunami of 1755, which intensely affected the peninsula, researchers are conducting a growing number of surveys and case studies on seismic episodes and extreme wave events of possible tsunamigenic origin in Portugal and Spain during the ancient, medieval, and modern eras. However, the development of these studies has suffered due to a certain lack of communication among the different fields of research, which are focused on their own methodologies and interests. The aim of this book is to promote interdisciplinary dialogue by linking the results of the most recent research into historical earthquakes and tsunamis in Iberia from the fields of geology, history and archaeology. The volume, which devotes special attention to tsunamis and to events that occurred in the Iberian Peninsula before 1755, offers synthetic insights, updates, and case studies of maximum interest for knowledge of the historical seismology of Portugal and Spain.
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La Capilla del Lignum Crucis del Monasterio de Santo Toribio en Liébana (1674-1721) y la arquitectura barroca de su tiempo
El presente estudio es el resultado de proyecto de investigación desarrollado en los últimos seis años en archivos públicos y privados, así como en centros de estudios, bibliotecas y hemerotecas del ámbito local, nacional e internacional, cuyos resultados aportan una ingente documentación histórica hasta ahora inédita que nos permite reconstruir el proceso constructivo de la que debe considerarse la obra barroca más interesante de Cantabria y una de las más espectaculares de todo el norte peninsular: la Capilla del Lignum Crucis del Monasterio de Santo Toribio de Liébana. Las aportaciones documentales que aquí se analizan cambian completamente la visión e interpretación de lo ...
The Nineteenth Century in the Prado
This is effectively a historical journey through the works of the great 19th century Spanish masters from Goya through to Sorolla.
Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe
Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in Rome by Sebastiano del Piombo in the early sixteenth century and was practiced until the late seventeenth century. This phenomenon has attracted little attention previously: the volume therefore makes a significant and timely contribution to the field in the light of recent studies of materiality and the rise of technical Art History. Contributors: Nadia Baadj, Piers Baker-Bates, Elena Calvillo, Ana Gonsalez Mozo, Anna Kim, Helen Langdon, Johanna Beate Lohff, Judith Mann, Christopher Nygren, Suzanne Wegmann, and Giulia Martina Weston.
