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White Collar
"The struggles and injustices faced by workers during the Great Depression spring to graphic life in this powerful wordless novel, which traces a middle-class family's downward spiral. Recounted in 128 black-and-white linocuts by artist Giacomo Patri, White Collar remained largely undiscovered for decades because of its controversial depictions of class struggle, unionization, and abortion. Patri was forced to print his masterwork privately in limited quantities; this magnificent, first-ever hardcover version is lovingly reproduced from a self-published edition. Suggested for adult readers"--
Graphic Witness
"If you care about graphic novels, you need this book." -- New York Times bestselling author Neil Gaiman Graphic Witness features rare wordless novels by five great twentieth century woodcut artists from Europe and North America. The stories they tell reflect the political and social issues of their times as well as the broader issues that are still relevant today. Frans Masereel (1899-1972) was born in Belgium and is considered the father of the wordless graphic novel. Graphic Witness includes the first reprint of his classic work The Passion of a Man since its 1918 publication in Munich. American Lynd Ward (1905-85), author of the provocative Wild Pilgrimage, is considered among the most i...
Literature in America
Professor Conn summarises the distinctive achievements of the American literary heritage from early 1600's to late 1980's.
Let Go
A lost job. A cardboard box. A raging blizzard. After being fired from his job, a veteran ad man is escorted from the office, carrying a cardboard box packed with mementos of his career. He steps out into a blinding blizzard, burdened by the weight of his collection. Each object tells a story, and as he navigates the city and makes his way home, he indulges in memories from his past: former colleagues, an award-winning campaign, a lost love. But faced with the demands of the present—and the very real danger of the snow-bound city streets—he must decide whether to hold on to the objects of his past, or to let go in the hopes of surviving the night. The bold, honest linocuts in Mark Huebner’s Let Go form an evocative narrative that distills over twenty years of memories into a single night of intense struggle against nature both meteorological and human.
Graphic Witness
Presents a collection of wordless graphic novels that cover the themes of social unrest and the plight of the downtrodden worker and are illustrated with wood cuts and lino-engraving.
The Routledge Companion to Experimental Literature
The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on: the history of literary experiment from the beginning of the twentieth century to the present the impact of new media on literature, including multimodal literature, digital fiction and code poetry the development of experimental genres from graphic narratives and found poetry through to gaming and interactive fiction experimental movements from Futurism and Surrealism to Postmodernism, Avant-Pop and Flarf. Shedding new light on often critically neglected terrain, the contributors introduce this vibrant area, define its current state, and offer exciting new perspectives on its future.
Disaster Drawn
In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima’s Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by diverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfictio...
A Hundred Flowers Blossoming
A Hundred Flowers Blossoming is a collection of literary essays written by faculty members of Xi'an International Studies University, China with two distinctive features. The first one is a Chinese perspective on Western literary works, which is normally not found in the scholarship in the West. The second is the feministic stance demonstrated in most articles, as most of the contributors are female. There are four parts in this collection. Part One is titled 'A Room of Her Own' and shows the feminist approach to literary works. Part Two is titled 'Through the Chinese Lens,' as it presents a Chinese perspective in the analysis of the literary works. 'Form Is Meaning' is the title of Part Three, which approaches literary works from a structuralist perspective. Part Four includes two articles: one exploring the theme of death in Joyce's Dubliners and the other reexamining the images of Faulkner's Trio of Hunting Tales.
Made in California
"Made in California is divided into five twenty-year sections, each including a narrative essay discussing the history of that era and highlighting topics relevant to its visual culture."--BOOK JACKET.
San Francisco's Potrero Hill
In the early 1800s, it was called the Potrero Nuevo, or new pasture. Gold-rush squatters soon put the squeeze on Mission Doloress grazing cattle, and when the fog lifted, Potrero Hill became the first industrial zone in San Francisco, with iron-smelting plants, butcheries, and shipbuilding dominating the waterfront during the late 19th century. The Hill has been home to immigrants from Scotland, Ireland, China, Russia, Mexico, and from everywhere in between. These days, many of the factories and warehouses have been converted into housing and offices for techies. And for the record, the crookedest street in San Francisco is not Lombardits Vermont, between 20th and 22nd.
