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White Collar
"The struggles and injustices faced by workers during the Great Depression spring to graphic life in this powerful wordless novel, which traces a middle-class family's downward spiral. Recounted in 128 black-and-white linocuts by artist Giacomo Patri, White Collar remained largely undiscovered for decades because of its controversial depictions of class struggle, unionization, and abortion. Patri was forced to print his masterwork privately in limited quantities; this magnificent, first-ever hardcover version is lovingly reproduced from a self-published edition. Suggested for adult readers"--
Literature in America
Professor Conn summarises the distinctive achievements of the American literary heritage from early 1600's to late 1980's.
Labor’s Canvas
At an unprecedented and probably unique American moment, laboring people were indivisible from the art of the 1930s. By far the most recognizable New Deal art employed an endless frieze of white or racially ambiguous machine proletarians, from solo drillers to identical assembly line toilers. Even today such paintings, particularly those with work themes, are almost instantly recognizable. Happening on a Depression-era picture, one can see from a distance the often simplified figures, the intense or bold colors, the frozen motion or flattened perspective, and the uniformity of laboring bodies within an often naive realism or naturalism of treatment. In a kind of Social Realist dance, the FAP...
Let Go
A lost job. A cardboard box. A raging blizzard. After being fired from his job, a veteran ad man is escorted from the office, carrying a cardboard box packed with mementos of his career. He steps out into a blinding blizzard, burdened by the weight of his collection. Each object tells a story, and as he navigates the city and makes his way home, he indulges in memories from his past: former colleagues, an award-winning campaign, a lost love. But faced with the demands of the present—and the very real danger of the snow-bound city streets—he must decide whether to hold on to the objects of his past, or to let go in the hopes of surviving the night. The bold, honest linocuts in Mark Huebner’s Let Go form an evocative narrative that distills over twenty years of memories into a single night of intense struggle against nature both meteorological and human.
Testimony of Walter S. Steele Regarding Communist Activities in the United States
Considers (80) H.R. 1884, (80) H.R. 2122.
Graphic Witness
Presents a collection of wordless graphic novels that cover the themes of social unrest and the plight of the downtrodden worker and are illustrated with wood cuts and lino-engraving.
Pearl S. Buck
One of the most popular novelists of the twentieth century, winner of a Pulitzer and Nobel Prize for Literature and an active social and political campaigner, particularly in the field of women's issues and Asian-American relations, Pearl Buck has, until now, remained 'hidden in public view'. Best known, perhaps, as the prolific author of The Good Earth, Buck led a career which extended well beyond her eighty works of fiction and non-fiction and deep into the public sphere. In this critically acclaimed biography, Peter Conn retrieves Pearl Buck from the footnotes of literary and cultural history and reinstates her as a figure of compelling and uncommon significance in twentieth-century literary, cultural and political history.
The Cambridge Companion to Comics
Interweaving history and theory, this book unpacks the complexity of comics, covering formal, critical and institutional dimensions.
Wobblies, Pile Butts, and Other Heroes
In this culmination of his half-century of involvement with American workers and their traditions, Archie Green explores occupational expression - stories, songs, customs, beliefs, artifacts - on the job and in institutions such as trade unions. Combining ethnographic description with analysis drawn from folklore, history, literary criticism, art history, linguistics, and philosophy, Green presents ten case studies in which he reflects on single words as social texts ("Wobbly", "fink") and clustered words within anecdotes, tales, and ballads ("John Henry", Homestead's strike songs, job yarns about cuckoldry and sexual impotence, and pile-driving traditions, for example). Drawing on Green's own experience as a shipwright and carpenter, the book will appeal both to workers curious about their history and traditions and to academicians who study the workforce and labor process.
San Francisco's Potrero Hill
In the early 1800s, it was called the Potrero Nuevo, or "new pasture." Gold-rush squatters soon put the squeeze on Mission Dolores's grazing cattle, and when the fog lifted, Potrero Hill became the first industrial zone in San Francisco, with iron-smelting plants, butcheries, and shipbuilding dominating the waterfront during the late 19th century. The Hill has been home to immigrants from Scotland, Ireland, China, Russia, Mexico, and from everywhere in between. These days, many of the factories and warehouses have been converted into housing and offices for techies. And for the record, the crookedest street in San Francisco is not Lombard--it's Vermont, between 20th and 22nd.
