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Long neglected in the history of Renaissance and early modern Europe, in recent years scholars have revised received understanding of the political and economic significance of the city of Naples and its rich artistic, musical and political culture. Its importance in the history of science, however, has remained relatively unknown. The Science of Naples provides the first dedicated study of Neapolitan scientific culture in the English language. Drawing on contributions from leading experts in the field, this volume presents a series of studies that demonstrate Neapolitans’ manifold contributions to European scientific culture in the early modern period and considers the importance of the c...
This is the first book in English reviewing and updating the geology of the whole Apennines, one of the recent most uplifted mountains in the world. The Apennines are the place from which Steno (1669) first stated the principles of geology. The Apennines also represent amongst others, the finding/testing sites of processes and products like volcanic eruptions, earthquakes, olistostromes and mélanges (argille scagliose), salinity crisis, geothermal fluids, thrust-top basins, and turbidites (first represented in a famous Leonardo's painting). As such, the Apennines are a testing and learning ground readily accessible and rich of any type of field data. A growing literature is available most of which is not published in widely available journals. The objective of the book is to provide a synthesis of current data and ideas on the Apennines, for the most part simply written and suitable for an international audience. However, sufficient details and in-depth analyses of the various complex settings have been presented to make this material useful to professional scholars and to students of senior university courses.
Posing new questions about realism and the creative power of narratives, Rosa Mucignat takes a fresh look at the relationship between representation and reality. As Mucignat points out, worlds evoked in fiction all depend to a greater or lesser extent on the world we know from experience, but they are neither parasites on nor copies of those realms. Never fully aligned with the real world, stories grow out of the mismatch between reality and representation-those areas of the fictional space that are not located on actual maps, but still form a fully structured imagined geography. Mucignat offers new readings of six foundational texts of modern Western culture: Goethe's Wilhelm Meister's Appr...
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
A vibrant, diverse history of Vesuvius and the Bay of Naples in the age of Romanticism Vesuvius is best known for its disastrous eruption of 79CE. But only after 1738, in the age of Enlightenment, did the excavations of Herculaneum and Pompeii reveal its full extent. In an era of groundbreaking scientific endeavour and violent revolution, Vesuvius became a focal point of strong emotions and political aspirations, an object of geological enquiry, and a powerful symbol of the Romantic obsession with nature. John Brewer charts the changing seismic and social dynamics of the mountain, and the meanings attached by travellers to their sublime confrontation with nature. The pyrotechnics of revolution and global warfare made volcanic activity the perfect political metaphor, fuelling revolutionary enthusiasm and conservative trepidation. From Swiss mercenaries to English entrepreneurs, French geologists to local Neapolitan guides, German painters to Scottish doctors, Vesuvius bubbled and seethed not just with lava, but with people whose passions, interests, and aims were as disparate as their origins.
One of the prevailing myths of modern intellectual and cultural history is that there has been a long-running war between science and religion, particularly over evolution. This book argues that what is mistaken as a war between science and religion is actually a pair of wars between other belligerents—one between evolutionists and anti-evolutionists and another between atheists and Christians. In neither of those wars can one align science with one side and religion or theology with the other. This book includes a review of the encounter of Christian theology with the pre-Darwinian rise of historical geology, an account of the origins of the warfare myth, and a careful discussion of the salient historical events on which the myth-makers rely—the Huxley-Wilberforce exchange, the Scopes Trial and the larger anti-evolutionist campaign in which it was embedded, and the more recent curriculum wars precipitated by the proponents of Creation Science and of Intelligent-Design Theory.
This book examines the work of prominent South African geologist Alex Du Toit as a means of understanding the debate around continental drift both in segregation-era South Africa and internationally. It contextualises Du Toit’s work within a particularly formative period of South African science, from the paleoanthropological discoveries that sparked debates about the origins of humankind to Jan Smuts’ own theory of holism. Beyond South African scientific discoveries, the book sets Du Toit’s work against a backdrop of ideological struggles over space, both domestically in terms of segregation and nationalism, as well as internationally as South Africa sought to assert its position with...
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