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La Machine à Rêver est de retour avec une nouvelle formule trimestrielle, proposant 270 pages de bande dessinées et d'articles.
This book constitutes the thoroughly refereed proceedings of the 9th International Joint Conference on Knowledge Discovery, Knowledge Engineering and Knowledge Management, IC3K 2017, held in Funchal, Madeira, Portugal, in November 2017. The 19 full papers presented were carefully reviewed and selected from 157 submissions. The papers are organized in topical sections on knowledge discovery and information retrieval; knowledge engineering and ontology development; and knowledge management and information sharing.
A dieselpunk roleplaying game of action, mystery and mad science! Tomorrow City was one of the cities of the future, built to usher in a new age of prosperity, seizing upon scientific achievements at the dawn of the twentieth century. Then came the War. Radium-powered soldiers assembled, diesel-fuelled nightmares rolled off production lines, city fought city, and the world burned in atomic fire. We survived, barely. Tomorrow City still stands, an oil-stained beacon of hope, part-refuge, part-asylum. Beset by dangers from both within and without, a secret war now rages on its streets. Diesel-born monstrosities stalk the alleyways, air pirates strike from the wastelands, mad scientists continu...
Based on meticulous research in the archives of some of the most prominent Italian avant-garde writers, Poetry on Stage examines the literary and ideological climate of the sixties and seventies.
Depuis la nuit des temps, de la jungle maya à Tenochtitlan, fabuleuse cité aztèque, les succubes influent secrètement sur le cours de l'histoire de l'humanité. 1574, Mexico, l'Inquisition brûle ses premiers livres et victimes. Tandis qu’une jeune indienne confie à Doña Inés un antique manuscrit indien, le «livre des sortilèges». 1519, Jungle du Yucatán, des guerriers aztèques entrent en territoire maya afin de ramener des prisonniers à sacrifier à leurs dieux sanguinaires.
Arguing that British comics are distinct from their international counterparts, a unique showcase of the major role they have played in the imaginative lives of British youth—and some adults. In this entertaining cultural history of British comic papers and magazines, James Chapman shows how comics were transformed in the early twentieth century from adult amusement to imaginative reading matter for children. Beginning with the first British comic, Ally Sloper—known as “A Selection, Side-splitting, Sentimental, and Serious, for the Benefit of Old Boys, Young Boys, Odd Boys generally, and even Girls”—British Comics goes on to describe the heyday of comics in the 1950s and ’60s, wh...
rivista (92 pagine) - Un racconto apocrifo di Lucio Nocentini - Sintesi delle ppere di Agatha Christie – Disamina di “Scandalo All’università” - I fumetti Sherlockiani - Huo Sang: L’Holmes Cinese Molti gli appuntamenti da non perdere di questo numero. Si conclude la lunga cavalcata fatta per mettere a fuoco l’Holmes cinese, Huo Sang, con le sue vicende editoriali. Prosegue invece la disamina delle opere di Agatha Christie, la regina del giallo. Si parla poi, nell’articolo di Milo Julini, delle fonti letterarie e reali che hanno ispirato Arthur Conan Doyle. Sul lato “comics”, Luigi Siviero ci porta a conoscere meglio il periodo della British Invasion con una ventina di pagi...
Fantascienza - rivista (63 pagine) - Blade Runner 2049 nello spaciale di questo numero. Articoli anche su Mazinga Z – Infinity e un profilo critico dedicato allo scrittore Giampietro Stocco. Un sequel cinematografico realizzato dopo trentacinque anni dalla pellicola originale è di per sé già una notizia, se poi il film in questione è Blade Runner, allora si entra in un terreno minato. Il coraggio di girare Blade Runner 2049 è stato di Denis Villeneuve, regista canadese che si è fatto notare soprattutto per il recente Arrival. Come è noto Blade Runner di Ridley Scott uscì nel 1982 e non ebbe un successo immediato al botteghino. Poi negli anni è diventata una pellicola cult, entrand...
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Par les auteurs de “MARVELS” et “FEAR ITSELF” ! Fils d’un géant des médias, Superstar est un héros sous contrat dont la vie est filmée 24h/24. Mais où se situe la frontière entre la téléréalité et le réel ? Ce personnage iconique du petit écran saura-t-il être à la hauteur de ce qu’on attend de lui ? Devenir un super-héros est une longue route et une question de choix...