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For over thirty years, Gilles Jacob has been the soul of the biggest film festival in the world - the Cannes Festival - of which he was elected President in 2000. As witness and champion of the film industry, Jacob describes in Citizen Cannes his journey from that of a Jewish boy saved by a Catholic seminary during World War II, later becoming an entrepreneur and a film critic, and finally an accomplished man who in 1978 was appointed general delegate of the biggest vanity fair in the world -- Cover
Gilles Montroville is like any other bored teenager: He's tired of school, doesn't want to go into the family business, and he's tired of people telling him what to do. Rebellion is not an option. Life in France in the Year of Our Lord 1640 is difficult under any circumstances but especially for those who have fallen from favor with the all-powerful church and the guardians of that power. The King and Cardinal Richelieu oversee a network of priests who set snares for the Huguenots, those not following closely enough to the official interpretation of Catholicism. Wealthy citizens are in danger, too, as they are often accused of heresy for the purpose of seizing their land to pay for the costly ongoing war. Young Gilles cares nothing about politics or religion, but a glimpse into another world, a world of complete freedom and exotic strangers, leaves him wanting more from his life. He attempts to live the life that his parents have planned out for him but a sudden turn of events launches him into a world far away from his protected childhood and provincial home, a world that he could never have even imagined.
The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.
European traders and soldiers established a foothold on Timor in the course of the seventeenth century, motivated by the quest for the commercially vital sandalwood and the intense competition between the Dutch and the Portuguese. Lords of the Land, Lords of the Sea focuses on two centuries of contacts between the indigenous polities on Timor and the early colonials, and covers the period 1600-1800. In contrast with most previous studies, the book treats Timor as a historical region in its own right, using a wide array of Dutch, Portuguese and other original sources, which are compared with the comprehensive corpus of oral tradition recorded on the island. From this rich material, a lively p...
Times of crisis expose how we experience social, physical, and emotional forms of distance. Alone with Others explores how these experiences overlap, shaping our coexistence. Departing from conventional debates that associate intimacy with affection and distance with alienation, Haustein introduces tact as a particular mode of feeling one's way and making space in the sphere of human interaction. Reconstructing tact's conceptual history from the late eighteenth century to the present, she then focuses on three specific periods of socio-political upheaval: the two World Wars, and 1968. In five reading encounters with Marcel Proust, Helmuth Plessner, Theodor Adorno, François Truffaut, and Roland Barthes, Haustein invites us to reconsider our own ways of engaging with other people, images, and texts, and to gauge the significance of tact today. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Biography of the seminal French filmmaker who influenced New Wave cinema.
Andrew Dickos's Street with No Name traces the film noir genre back to its roots in German expressionist cinema and the French cinema of the interwar years. Dickos describes the development of the film noir in America from 1941 through the 1970s and examines how this development expresses a modern cinema. He argues that, in its most satisfying form, the film noir exists as a series of conventions with an iconography and characters of distinctive significance. Featuring stylized lighting and urban settings, these films tell melodramatic narratives involving characters who commit crimes predicated on destructive passions, corruption, and a submission to human weakness and fate. Unlike other st...
When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy. Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's Pan's Labyrinth (2006) and Martin Scorsese's dark thriller Shutter Island (2010).
A biography of Anne, Princess Royal of England and Gouvernante of the United Provinces, using her unpublished correspondence to reveal a forceful and gifted woman, thrust into power in a foreign country at a time of national upheaval and diplomatic revolution.
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