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From ingredients and recipes to meals and menus across time and space, Eating Culture is a highly engaging overview that illustrates the important role that anthropology and anthropologists have played in understanding food, as well as the key role that food plays in the study of culture. The new edition, now with a full-color interior, introduces discussions about nomadism, commercializing food, food security, and ethical consumption, including treatment of animals and the long-term environmental and health consequences of meat consumption. "Grist to the Mill" sections at the end of each chapter provide further readings and "Food for Thought" case studies and exercises help to highlight anthropological methods and approaches. By considering the concept of cuisine and public discourse, this practical guide brings order and insight to our changing relationship with food.
From ingredients and recipes to meals and menus across time and space, this highly engaging overview illustrates the important roles that anthropology and anthropologists play in understanding food and its key place in the study of culture. The new edition, now in full colour, introduces discussions about nomadism, commercializing food, food security, and ethical consumption, including treatment of animals and the long-term environmental and health consequences of meat consumption. New feature boxes offer case studies and exercises to help highlight anthropological methods and approaches, and each chapter includes a further reading section. By considering the concept of cuisine and public discourse, Eating Culture brings order and insight to our changing relationship with food.
The second edition highlights recent developments in the field and includes a new chapter on archaeology beyond mainstream academia. It also integrates more examples from popular culture, including mummies, tattoos, pirates, and global warming.
Pregnancy and Childbirth presents the best evidence for the care of pregnant women to doctors, midwives, students and parents. The logical sequence of chapters and the index give quick access to the abstracts of over four hundred Cochrane systematic reviews. The book serves both as a stand-alone reference, and as a companion to locating full reviews on the Cochrane Library. The Cochrane Library is published by John Wiley on behalf of The Cochrane Collaboration. www.thecochranelibrary.com
Through the Lens of Anthropology is a concise introduction to anthropology that uses the twin themes of food and sustainability to connect evolution, biology, archaeology, history, language, and culture. The third edition remains a highly readable text that encourages students to think about current events and issues through an anthropological lens. Beautifully illustrated with over 100 full-color images and maps, along with detailed figures and boxes, this is an anthropology book with a fresh perspective and a lively narrative that is filled with popular topics. The new edition has been updated to reflect the most recent developments in anthropology and the contributions of marginalized scholars, while the use of gender-neutral language makes for a more inclusive text. New content offers anthropological insight into contemporary issues such as COVID-19, Black Lives Matter, and #MeToo. Through the Lens of Anthropology continues to be an essential text for those interested in learning more about the relevance and value of anthropology. The third edition is supplemented by a full suite of updated instructor and student resources. For more information visit www.lensofanthropology.com.
When the Franklin Motor Expedition set out across the Canadian Prairies to collect First Nations artifacts, brutal assimilation policies threatened to decimate these cultures and extensive programs of ethnographic salvage were in place. Despite having only three members, the expedition amassed the largest single collection of Prairie heritage items currently held in a British museum. In this book, Alison K. Brown draws together the multiple narratives that make up this encounter, consulting descendants of the collectors and members of the affected First Nations and reviewing both expedition images and the artifacts themselves. In doing so, she explores the context within which the collection was made as well as the complex relationships between museums, anthropologists, and First Nations. Accessibly written and vigorously researched, First Nations, Museums, Narrations raises timely questions about the role of collections in the twenty-first century and considers the way forward for indigenous peoples and the museums that house their cultural treasures.
In this meditation/how-to guide on drawing as an ethnographic method, Andrew Causey offers insights, inspiration, practical techniques, and encouragement for social scientists interested in exploring drawing as a way of translating what they "see" during their research.
In this fascinating study of Northwest Coast art, Jonathan Meuli has not only outlined a history of ideas associated with Northwest Coast art objects from pre-Contact time to the present day, but has also examined the ways in which the physical location and contexts in which the objects are produced has helped to determine their meanings. Locating his linear historical narrative within a wider exploration of ethnographic art ideas, which emphasizes links across cultures, Meuli examines the differing attitudes towards Northwest Coast material culture, particularly as these are embodied in oral mythic narratives, collection methods and architectural constructions.
Situating archaeology in academic, social, and political contexts, the third edition emphasizes the ethics and the scholarship of women and includes considerable focus on the archaeology of recent and contemporary times.
Supernatural is one of the most successful horror TV shows ever, providing fifteen seasons of the adventures of Dean and Sam Winchester as they hunt monsters and save the world. It has nurtured a passionate fan base, which has been far more directly integrated into the show than is typical. Wry and self-aware, Supernatural repeatedly breaks out of the televisual box to acknowledge its fans and its own fictionality. Though there have already been several studies of Supernatural, this volume is the first to focus extensively and intensively on the show's metafictional elements. This essay collection argues that Supernatural is not merely a horror show, but is a show about how horror works as a genre, and how fans interact with their favorite material. From exploring how the show has equated authorship with divinity, to considering its incorporation of fandom and closely reading several key episodes, the essays in this volume seek to examine the multiple layers of textuality found in Supernatural.