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John Evelyn
"This new biography ... is the first to make full use of Evelyn's huge unpublished archive deposited at the British Library in 1995. This crucial source evokes a broader and richer picture of Evelyn, his life and his friendships, than permitted by his own celebrated diaries."--Dust jacket.
Vesuvius
The cataclysm that destroyed Pompeii and Herculaneum in AD 79 continues to fascinate nearly two thousand years later. Darley’s meditation on a powerful natural wonder touches on pagan beliefs, vulcanology, and travel writing, as it sifts through the ashes of Vesuvius to expose changes in our understanding of cultural and natural environments.
Excellent Essex
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Octavia Hill
Octavia Hill was the 9th of eleven children in a family of no rank. With no formal education but an incessant desire to help the poorest in London she became one of the most influential women of the Victorian era. Today she is remembered chiefly as one of the founders of the National Trust.
John Soane
John Soane (1753-1837) was one of the most influential and original of all English architects. In this lavishly illustrated biography, Darley places Soane's life and buildings side by side, and her insights into this complex man and his turbulent life add a great deal to the understanding of his extraordinary work. 235 illustrations, 75 in color.
Villages of Vision
All over Britain and Ireland there are planned villages: for aesthetic, philanthropic or political reasons, for convenience and for ideals - the best known including Port Sunlight, New Lanark and Bournville. This gazetteer shows, county by county, where such villages can be seen.
Stalin's Architect
This is a history of architecture, politics and power. Boris Iofan (18911976) made his mark as Stalins architect, both in the grand projects he achieved, such as the House on the Embankment, a megastructure of 505 homes for the Soviet elite, and through his unbuilt designs, in particular the Palace of the Soviets, a baroque Stalinist dream whose iconic image was reproduced throughout the Soviet Union. Iofans life and designs offer a unique perspective into the politics of twentieth-century architecture and the history of the Soviet Union.
Ian Nairn
Ian Nairn erupted onto the architectural scene in 1955 with the publication of The Architectural Review issue 'Outrage'. A mathematician by training, and a former RAF pilot with no formal architectural education, Nairn's visceral and savage attack on the blandness of post-war British design struck an immediate chord with a surprisingly diverse array of traditionalists and modernists, and gave rise to a new concept: that of 'Subtopia'. Gillian Darley and David McKie's study of Nairn - Ian Nairn: Words in Place - published by Five Leaves, reintroduces to a new generation an architectural critic whose work has influenced writers and critics such as J.G. Ballard, Will Self, Iain Sinclair and Jonathan Meades, who once described Nairn as 'a great poet of the metropolis'. Gillian Darley and David McKie will be discussing Ian Nairn's life and work, and Owen Hatherley, author of A New Kind of Bleak and A Guide to the New Ruins of Great Britain will be in the chair.
Vesuvius
The volcano that has fascinated scientists, writers, and poets for two millennia Capricious, vibrant, and volatile, Vesuvius has been and remains one of the world's most dangerous volcanoes. In its rage, it has destroyed whole cities and buried thousands alive. In its calm, its ashes have fertilized the soil, providing for the people who have lived in its shadows. For over two millennia, the dynamic presence of this volcano has fascinated scientists, artists, writers, and thinkers, and inspired religious fervor, Roman architecture, and Western literature. In Vesuvius, Alwyn Scarth draws from the latest research, classical and eyewitness accounts, and a diverse range of other sources to tell ...
Extinct
Blending architecture, design, and technology, a visual tour through futures past via the objects we have replaced, left behind, and forgotten. So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.
