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When Ronan's former girlfriend Max turns up at his fashionable Dublin restaurant, he's determined to prove to her how far he's come. But Max has something bigger to discuss. Over the course of one winesoaked evening, old wounds are exposed and new truths uncovered. Gillian Greer's play Meat is a story of class, consent and transgressions buried in the past. How can one couple navigate their shared history when their memories don't quite match up? The play was a finalist in Theatre503's International Playwriting Award in 2018. It premiered at Theatre503, London, in February 2020.
Northern Ireland's political system is dominated by an Irish Catholic nationalist versus British Protestant unionist faultline, based upon the long-running argument over whether the region should remain part of the United Kingdom or form part of a United Ireland. Yet the largest category of elector in Northern Ireland says they are neither a unionist nor a nationalist and the third most popular political party is now Alliance, which is not aligned to either of the two traditional constitutional positions. Drawing upon a unique in-depth survey of its members, this volume analyses the history and contemporary rise of Alliance and the surge of a centrist party in Northern Irish politics which i...
When Lenore de Quincy's father gives her the key to a bank box containing a fortune in cash and then dies, she realizes she is no longer under constraints to remain unhappily married. She abandons her husband, taking her daughter, Angela, with her from a provincial town in western Pennsylvania to the bright lights of Manhattan. A PLACE TO CALL HOME is a novel inspired by true stories set against the First World War, The Roaring Twenties, and the Great Depression. It centers around two well-to-do families joined by an arranged marriage. The action is seen through Angela's eyes as she struggles with the effects on her life of her parents' divorce, a thing viewed in the 1920's as scandalous and...
This two-volume edited collection illuminates the valuable counter-canon of Irish women’s playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Covering three hundred years of Irish theatre history from 1716 to 2016, it is the most comprehensive study of plays written by Irish women to date. These short essays provide both a valuable introduction and innovative analysis of key playtexts, bringing renewed attention to scripts and writers that continue to be under-represented in theatre criticism and performance. Volume Two contains chapters focused on plays by sixteen Irish women playwrights produced between 1992 and 2016, highlighting t...
International in scope, this book is designed to be the pre-eminent reference work on the English-speaking theatre in the twentieth century. Arranged alphabetically, it consists of some 2500 entries written by 280 contributors from 20 countries which include not only top-level experts, but, uniquely, leading professionals from the world of theatre. A fascinating resource for anyone interested in theatre, it includes: - Overviews of major concepts, topics and issues; - Surveys of theatre institutions, countries, and genres; - Biographical entries on key performers, playwrights, directors, designers, choreographers and composers; - Articles by leading professionals on crafts, skills and disciplines including acting, design, directing, lighting, sound and voice.
A memoir exploring a young woman’s troubled childhood, her bond with her older brother, and the toll of drugs and alcohol on their lives. Inspired by a brother’s high school science project—a perpetual motion machine that could save the world—The Perpetual Motion Machine is a memoir in essays that attempts to save a sibling by depicting the visceral pain that accompanies longing for some past impossibility. The collection has been a science project in its study of memory, in the calculation and plotting of the moments that make up a childhood. The preparation has been “in the field” in that it is built upon the gathering of lived experience; the evidence is photo albums, family i...
It is a fact that today’s British stages resound with powerfully innovative voices and that, very often, these voices have been those of young women playwrights. This collection of essays gives visibility and pride of place to these fascinating voices by exploring the vitality, inventiveness and particularly strong relevance of these poetics. These women playwrights sometimes invent radically new forms and sometimes experiment with conventional ones in fresh and unexpected ways, as for example when they re-energize naturalism and provide it with new missions. The plays that are addressed are all concerned with the necessity to grasp the complexity of the contemporary world and to further investigate what it means to be human. Intimate or epic, and sometimes both at once, visionary or closer to everyday life, these plays approach the contemporary world through a multitude of prisms – historical, scientific, political and poetic – and open different and visionary perspectives.
In one small Atlanta suburb, the recorded history of the Cherokee, rail, war, and oral history provides a much richer tapestry of myth than claimed.After extensive review from the early 1800s to mid-20th Century, the culture and color behind the times of Vinings, Georgia is revealed in a readable, and some times humorous profile, giving this unique community a valid character of mysteriously quaint.
THIRTY YEARS AFTER THE FEMALE EUNUCH, GERMAINE GREER RETURNS TO THE SUBJECT OF FEMINISM, WITH THE BOOK SHE VOWED SHE WOULD NEVER WRITE. Germaine Greer proclaims that the time has come to get angry again! Modern feminism has become the victim of unenlightened complacency, and what started out in the Sixties as a movement for liberation has become one that has sought and settled for equality. With fiery rhetoric, authoritative insight, outrageous humour and broad-ranging debate, Greer shows that, although women have indeed come a very long way in the last thirty years, the notion of our 'having it all' has disguised the persistent discrimination and exploitation that continues to exist for wom...
In the future, AI are everywhere - over half the human race lives online. But in the Caspian Republic, the last true human beings have made their stand; and now the repressive, one-party state is locked in perpetual cold war with the outside world. Security Agent Nikolai South is given a seemingly mundane task; escorting a dead journalist’s widow while she visits the Caspian Republic to identify her husband’s remains. But Paulo Xirau was AI; and as Nikolai and Lily delve deeper into the circumstances surrounding Paulo’s death, South must choose between his loyalty to his country and his conscience.