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For all lovers of vintage cars Carrozzeria Touring is synonymous with elegance, sophistication and aerodynamic efficiency. Just think of the "Superleggera Berlinetta ', the' Barchetta 'Ferrari, the Disco Volante. Legendary names that represent only some of the achievements of the famous Mark Milanese, born in 1926 (there are exactly 90 years old) who built the largest Alfa Romeo the 30s to 50s (6C 1750 Flying Star, 6C 2300 Mille Miglia, 8C 2300 and 2900, Sprint 1900, then 2000 and 2600 Spider), the most beautiful Ferrari of victorious start to the Mille Miglia, the first series of Maserati (the wonderful 3500 GT), the first Lamborghini (350 GT and 400 GT), many Lancia (Lambda Flaminia) and m...
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Corrado Lopresto's car collection is considered one of the most significant and important in the world today, especially due to its value as a testimony to the tradition of Italian automotive design. But what’s behind this collection? Which decisions and events have defined its nature and enabled its realization? The answers to these questions gently take shape in these pages among glimpses of Corrado’s life just as in a novel, guiding the reader to discover the fascinating world of classic cars. A book for everyone, enthusiasts and the curious alike, in which personal anecdotes and lessons on restoration techniques are covered in equal measure. An authentic story which is also intended ...
The story of one of the most famous British sports saloons of the 1950s - the MG Magnette. Variants such as the Magnette Special, V8 version, convertible, coupe and racers are also described.
Everything around us is designed and the word 'design' has become part of our everyday experience. But how much do we know about it? Fifty Cars That Changed the World imparts that knowledge listing the top 50 cars that have made a substantial impact in the world of British design today. From the1908 Ford Model T to the 1998 smart car, each entry offers a short appraisal to explore what has made their iconic status to give them a special place in design history.
After a period of post-war austerity, in 1957 Alfa Romeo decided it was time to re-enter the market for luxury/executive class cars with a new range designed for the growing number and prosperity of potential customers. Thus, the first models in the new 2000 series emerged, followed by the 2600 series in 1962. That they were not hugely successful, although some 18,540 were manufactured between 1957 and 1966, can be attributed to a number of factors, principally cost. Largely ignored for many years, these cars are now recognized as a significant element in Alfa Romeo's history and this book is a valuable record of their story. Richly illustrated with over 200 colour and black & white photographs, this book introduces the history of the company and its early designs; describes the early Berlina saloon, Spider convertible and Sprint coupe, and their development into the 2600 series; details the evolution of the 1900-based engine into the 6-cylinder 2600 engine; provides a history of the SZ Sprint Zagato; includes information on prototypes, show specials, specification tables, colour schemes and production numbers and, finally, includes a chapter on owning a 2000 or 2600.
Giovanni Klaus Koenig (1924-1989) è stato architetto, designer di mezzi di trasporto su rotaia, docente universitario, appassionato studioso di treni e di tram, critico dell’architettura contemporanea, storico dell’industrial design, intellettuale impegnato nella soluzione dei problemi della sua città, Firenze. Il tutto in anni nei quali l’attenzione critico-operativa sull’attuale era inusuale, la disciplina del design da fondare, la pratica progettuale in seno alle aziende di materiale rotabile da parte di un architetto insolita. Il testo si propone di ricostruirne la figura a specchio con il contesto cittadino e con quello nazionale sia con l’apporto di quanti l’hanno avuto come interlocutore sia con il contributo di studiosi che hanno approfondito alcuni temi della sua ricerca. L’obiettivo non si limita alla mera ricomposizione di una figura culturalmente incisiva, ma si propone di indicare allo studioso di oggi ambiti da approfondire, le ‘scie fosforescenti’ che ci ha lasciato in eredità.