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Il nostro Paese ha sviluppato uno dei sistemi scolastici più maturi per recepire e rendere operativo un approccio sensibile alla variabilità individuale come lo Universal Design for Learning (UDL), che rappresenta, tra gli orientamenti internazionali attuali, quello di maggiore interesse ai fini della ricerca educativa e dell’applicazione diretta nella formazione dei docenti e nella pratica didattica quotidiana. L’UDL anima tre grandi sfide della società e della scuola (disabilità, educazione inclusiva e tecnologia) e promuove una proposta concreta a partire dalle Linee guida (versione 2.0) elaborate dal Center for Applied Special Technology (CAST). Tale modello, con la sua universalità, poggia sui valori etici delle pari opportunità e dell’equità e sollecita un’interessante visione del mondo educativo con proposte metodologiche orientate verso una rivoluzione di pensiero centrata sul rispetto della diversità-unicità umana, sulla flessibilità, sull’accessibilità reale ai processi di apprendimento, sul riconoscimento e sulla valorizzazione delle differenze di ogni persona.
Inventing the Business of Opera explores public opera in its infancy, bringing to life the men and women who successfully established the new genre on the stages of Venice during the seventeenth century. All of the components necessary to opera production are highlighted, from the financial backing, to the libretto and the score, to the singers, dancers, the scenery, and the costumes.
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The poet and scholar Giovanni Boccaccio was a leading writer of the Italian Renaissance, now best remembered as the author of the famous compendium of tales ‘The Decameron’. Boccaccio helped lay the foundations for the humanism of the Renaissance, while raising vernacular literature to the status of the classics of antiquity. Noted for their realistic dialogue and imaginative use of character and plot, Boccaccio’s works went on to inspire Chaucer, Spenser, Shakespeare and countless other writers in the ensuing centuries. This comprehensive eBook presents Boccaccio’s collected works, with numerous illustrations, rare translations appearing in digital print for the first time, informat...
"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi