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Honoring God and the City
This is the first detailed history of musical activities at Venetian lay confraternities. Based on over two decades of research in Venetian archives, the book traces musical practices from the origins of the earliest confraternities in the mid-thirteenth century through their suppression under the French and Austrian governments of Venice in the early nineteenth century. The first section of the book treats the scuole grandi, the largest and most important of the Venetian confraternities, and the only ones to maintain musical establishments for long periods. The second portion of the book is concerned with the scuole piccole, the numerous less-important confraternities, sometimes as many as 300 of which were active simultaneously, located in churches throughout Venice. Appendices include an attempt to reconstruct a calendar of musical events at all Venetian confraternities in the early eighteenth century, demonstrating the vital role they played in the cultural and ceremonial life of this great city.
Music and Modernity in Enlightenment Spain
By showing how music intersected with wider cultural affairs, such as philosophy and criticism, this book connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought. Histories of modern Europe often present late eighteenth-century Spain as a backward place, haunted by the Inquisition and struggling to keep pace with modernity. While Spain under Charles III (1759-1788) pushed for economic and cultural modernization, many elites and the public at large resisted Enlightenment ideas. For conservatives, the modern would in time show its fragility, and Spain would withstand the collapse thanks to its firm grounding in the pillars of monarchy, religion, an...
Nation and Classical Music
How and why do listeners come over time to 'feel the nation' through particular musical works? This book develops a comparative analysis of the relationship between western art music, nations and nationalism. It explores the influence of emergent nations and nationalism on the development of classical music in Europe and North America and examines the distinctive themes, sounds and resonances to be found in the repertory of each of the nations. Its scope is broad, extending well beyond the period 1848-1914 when national music flourished most conspicuously. The interplay of music and nation encompasses the oratorios of Handel, the open-air music of the French Revolution and the orchestral wor...
Culture and Change
These issues of city-building and institutional change involved more than the familiar push and pull of interest groups or battles between bosses, reformers, immigrants, and natives. Revell explores the ways in which technical values - a distinctive civic culture of expertise - helped to reshape ideas of community, generate new centers of public authority, and change the physical landscape of New York City."--Jacket.
Early Music History
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume fifteen include: Costanzo Festa's Gradus ad Parnassum; Scenes from the life of Silvia Galiarti Manni, a seventeenth-century virtuosa; Galeazzo Maria Sforza and musical patronage in Milan: Compere, Weerbeke and Josquin.
Desperate Measures
Publisher description
The Castrato
The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castratoÕs comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchyÑinvolving teachers, patrons, colleagues, and relativesÑwhereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composersÑfrom Cavalli and Pergolesi to Handel, Mozart, and RossiniÑwere the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise.
Humanities
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The Politics of Opera in Handel's Britain
Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.
Emblems of Eloquence
Opera developed during a time when the position of women—their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality—was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was sha...
