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Ballet and Opera in the Age of Giselle
Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office su...
Giselle and I.
Markova tells the story of her quarter-century identification with the role of Giselle, her analysis and development of it through the years. Illustrated with clear photographs.
Giselle the Christmas Ballet Fairy
Get ready for an exciting fairy adventure with the no. 1 bestselling series for girls. The perfect Christmas gift for children aged 5 and up! Every year, Giselle the Christmas Ballet Fairy's special magic helps every ballet show run perfectly. But when naughty Jack Frost turns up and steals her magical objects, it looks like everything will be ruined! Can Rachel and Kirsty get them back in time for the Fairyland Christmas Eve performance? There's a drinking bottle, a ballet bag and a pair of shoes in this book. Read on to see if Kirsty, Rachel and Giselle can find them! 'These stories are magic; they turn children into readers!' ReadingZone.com If you like Rainbow Magic, check out Daisy Meadows' other series: Magic Animal Friends and Unicorn Magic!
The Ballet Called Giselle
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Giselle
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Giselle
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Giselle
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Giselle Immortal
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Ballet and Opera in the Age of Giselle
Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office su...
