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"Developed as a research project parallel to FUNDAMENTALS - the 14th Venice Architecture Biennale, curated by Rem Koolhaas - this book introduces a radically new way of seeing Venice. With examinations of twelve different architectural elements, the guide allows readers to better understand the fundamental transformations that have shaped Venice over the past ten centuries."--Back cover.
In the era of the Anthropocene, it?s urgent to shift our collective attention southward. Antarctica, a continent that accounts for 10% of Planet Earth and 70% of the world?s fresh water, represents at once the repository of planetary data essential to produce reliable climate change projections, and the biggest threat to all coastal sites.00On the 200th anniversary of the discovery of Antarctica, 'Antarctic Resolution' offers a high-resolution image of the hyper-surveilled yet neglected continent and instigates a decisive resolution towards a supra-national governance model. Advocating for true trans-national and cross-disciplinary collaboration, 'Antarctic Resolution' brings together, for t...
"Une mine d'or à parcourir encore et toujours, un de ces livres qui fournira aux bâtisseurs actuels et futurs de notre monde tout le savoir dont ils ont besoin pour aborder les questions actuelles et celles auxquelles ils seront confrontés". ArchDaily Architecture is a compelling mixture of stability and flux. In its solid forms, time and space collide, amalgamating distant influences, elements that have been around for over 5, 000 years and others that were (re-)invented yesterday. Elements of Architecture focuses on the fragments of the rich and complex architectural collage. Window, facade, balcony, corridor, fireplace, stair, escalator, elevator : The book seeks to excavate the micro-...
From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a prec...
While following the police investigation into femicide, you discover The Right World. A society that, as if reflected through a mirror capable of reversing gender roles, is matriarchal. Women make a career only if they have daughters; they have always guided the evolution of the species; the image of human perfection is Vitruvius' woman. It is men who demand equal opportunities, claim equal pay and less discrimination. Between international politics scenarios, the Holy Mother of the Church's statements, episodes of matriarchal fundamentalism, the policewoman who leads the investigation wonders whether to give birth to a daughter. Her doubts and the inquest run parallel along with the crescendo of history, up to the epilogue. It will then be up to you to decide if The Right World is a utopia, an ideal dream to be achieved, or a dystopia, a reality in which we would not want to live, neither as oppressors nor as oppressed.
From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a prec...
"Any attempt to sum up Andrea Palladio's creative achievements is invariably distorted by the fact that some of the greatest projects of his mature years were never built. For the most part, these unfinished works were in Venice. They include the patriarchal Church of San Pietro di Castello, the reorganisation of the Rialto district at the commercial and financial heart of the city, a church that would have overlooked the Grand Canal and, lastly, the monumental complex of the monastery for the Lateran Canons, the Convento della Carità. Antonio Foscari has now restored the balance by charting the course of Andrea Palladio's remarkable life and prodigious oeuvre in a way that sheds new light on all his works while also recognising a number of previously unclassified drawings. The books culminates with an attempt, unprecedented in over four hundred years of Palladian studies, to reconstruct the project that Palladio, in the autumn of his life, held to be the supreme testimonial of his creativity: the rebuilding of the Doge's Palace in Venice."--P. [4] of cover.
EPDF and EPUB available Open Access under CC-BY-NC licence. Drawing from the EU-funded DomEQUAL research project across 9 countries in Europe, South America and Asia, this comparative study explores the conditions of domestic workers around the world and the campaigns they are conducting to improve their labour rights. The book showcases how domestic workers’ movements put ‘intersectionality in action’ in representing the interest of various marginalized social groups from migrants and low-income groups to racialized and rural girls and women. Casting light on issues such as subjectification, and collective organizing on the part of a category of workers conventionally regarded as unorganizable, this ambitious volume will be invaluable for scholars, policy makers and activists alike.
Visiting the villas built by Andrea Palladio (1508-1580), one inevitably asks oneself how people lived there in the sixteenth century. Palladio articulated the villas as "small towns" (piccole città) that formed a unit with adjacent service buildings and farm fields. Within their walls lived a multitude of people of all ages, social backgrounds and various skills. They were the venue for significant moments of public life. In these houses, the principles of hygiene, privacy and comfort, which we consider essential today, did not apply; furniture as such, did not exist. Living with Palladio in the Sixteenth Century investigates how Palladio's houses, their floors, rooms and measurements are designed to structure the life of such a heterogeneous family of people. It analyzes their hierarchical structure with the owner (padrone) at the top and everyone involved in the everyday running of the household (famiglia minuta) at the bottom. This book fills a decisive gap in research literature on the famous Italian architect by looking at how Palladio prioritized the domestic functions of his private buildings.
This book is an investigation of the ideological dimensions of the disciplinary discourses on science in line with the scholarly tradition of historical epistemology. It offers a programmatic treatment of the political-epistemological problematic along three entangled lines of inquiry: socio-historical, epistemological and historiographical. The book aims for a meta-level integration of the existing scholarship on the social and cultural history of science in order to consider the ways in which struggles for hegemony have constantly informed scientific discourses. This problematic is of primary relevance for scholars in Science Studies, philosophers, historians and sociologists of science, but would also be relevant for anybody interested in scientific culture and political theory.