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Noticing how often the new Pope had the topic of "joy" as the central theme of his many addresses, Murphy delved into the vast writings of the Pope, before and after his election to the papacy, and found that the theme of joy has pervaded all of his theology. Recognizing the Pope's invitation to joy as a key to understanding his basic theological vision, Murphy develops those ideas and writings in a creative way, and helps the reader to engage personally with the original and pastoral mind of Joseph Ratzinger, professor, pastor, and now Pope Benedict XVI. This joy is nothing other than the joy of the Christian faith. Indeed, the "first word of the New Testament," says Pope Benedict XVI, "is ...
Drawn from his writings, speeches, and homilies, this collection by Pope Francis lays out the comprehensive vision behind his historic encyclical Laudato Si' and shows how concern for the earth calls for a profound conversion of values that involves a new understanding of our relation to God's Creation.
Women's creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women's diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women's contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women's work as translators, illustrators, booksellers, advertisers, patrons, and publisher's readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.
The idea of the tragic has permeated Western culture for millennia, and has been expressed theatrically since the time of the ancient Greeks. However, it was in the Europe of the twentieth century – one of the most violent periods of human history – that the tragic form significantly developed. ‘Modern European Tragedy’ examines the consciousness of this era, drawing a picture of the development of the tragic through an in-depth analysis of some of the twentieth century’s most outstanding texts.
We live in a century in which we must either change our way of regarding and acting toward nature or else imperil our survival as a species and jeopardize as well the fate of the planet itself. This book by a theologian and environmental scientist examines four religious figures from European and Asian contexts who could aid us in developing a more sustainable and caring orientation, which would allow us to live more "in tune" with creation: twelfth-century German nun Hildegard of Bingen, thirteenth-century Italian monk and patron saint of ecology Francis of Assisi, nineteenth-century Japanese Zen monk and poet Taigu Ryōkan, and the first pontiff from Latin America, twenty-first-century Pope Francis. By emphasizing our intimate and unavoidable organic connection with the network of all life and our charge to care for and protect it, they point us in the direction of a new paradigm, a healthier perspective, a metanoia--a change of heart, mind, attitude, and action--that would partner what we know about nature (an environmental consciousness) with what we do (an ecological conscience). Our children, our grandchildren, and our great-grandchildren deserve at least this much.
Dante, the pilgrim, is the image of an author who stubbornly looks ahead, seeking and building the "Great Beyond" (Manguel). Following in his footsteps is therefore not a return to the past, going à rebours, but a commitment to the future, to exploring the potential of humanity to "transhumanise". This dynamic of self-transcendence in Dante’s humanism (Ossola), which claims for European civilisation a vocation for universalism (Ferroni), is analysed in the volume at three crucial moments: Firstly, the establishment of an emancipatory relationship between author and reader (Ascoli), in which authorship is authority and not power; secondly, the conception of vision as a learning process and...
This book presents a systematic literary comparison of the retranslations by adopting a mixed-method and bottom-up (inductive) approach by developing an empirical corpus approach. This corpus is specifically tailored to identify and study linguistic and non-linguistic modernist features throughout the texts, such as stream of consciousness-indirect interior monologue and free indirect speech. All occurrences are analysed quantitatively in the computations of inferential and comparative statistics, such as tests of time trends, lexical variety, and lexical frequency. The target texts are digitised, and the resulting text files are then analysed using a bespoke, novel computer program capable ...
Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes.
In these pages Benedict XVI shares his reasons for retiring from the papacy in 2013 in an interview with the author. Many saw his astonishing retirement as a sign of the Church's decline, but he intended it as a seed sown in the hope of bringing the Church a younger, more vigorous leadership in the face of daunting challenges. Among those challenges are the financial and sexual scandals that continue to undermine the Church's mission. When Ratzinger was elected Pope in 2005, he opened a path of purification for the Church, while calling upon the Western world to return to its Christian roots and to build a new humanism for the twenty-first century, and his call for renewal is still relevant. Widely recognized as one of the most important theologians and spiritual leaders of our time, Joseph Ratzinger served throughout the papacy of John Paul II as the Prefect of the Congregation for the Doctrine of the Faith. Both men had witnessed how atheistic philosophies and war had ravaged twentieth-century Europe, and they shared in the effort of revealing to modern man his need for God, for redemption in Jesus Christ.
Why were the early Christians willing to die to protect a single iota of the creed? Why have the Judeans, Romans, and Persians—among others—seen the Christian creed as a threat to the established social order? In The Creed: Professing the Faith Through the Ages, bestselling author Dr. Scott Hahn recovers and conveys the creed’s revolutionary character. Tracing the development of the first formulations of faith in the early Church through later ecumenical councils, The Creed tells the story of how the very profession of our belief in Christ fashions us for heavenly life as we live out our earthly days.