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English lit scholar Glenda Hudson examines Jane Austen's presentation of sibling love and rivalry in the context of the dramatic social and historical changes in the late 18th century--and also analyzes the incest motif in numerous works of the period.
In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced -- an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millennium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notio...
Devoted Sisters seeks to explore - and explain - the power of the sister bond in nineteenth-century literature. Sarah Annes Brown has researched a wide range of British and American texts, including both canonical works, such as Pride and Prejudice, Little Women and Middlemarch, and fascinating but lesser known novels by authors such as Dinah Mulock Craik and Catharine Sedgwick. In addition to contemporary resources such as conduct books, letters, and accounts of parliamentary proceedings, Devoted Sisters draws on recent psychoanalytical and anthropological research to illuminate nineteenth-century depictions of the sister relationship. Building on the work of Girard and Kosofsky Sedgwick, Brown concludes her study with an exploration of the Deceased Wife's Sister Act and the 'lesbian incest effect'.
Former grade school bully and, later, amateur drug dealer Jeff Hudson turns his life around and is pursuing a degree in agriculture. His future, as well as a budding relationship with fellow student Sandy Harris, is threatened when a former dealer threatens to expose Jeff's past to university authorities if he doesn't rejoin the ring. Realizing that Jeff is no longer an angry, misunderstood boy, Sandy must take a stand against her family and friends who swear he is no good and will only cause her unhappiness. Together, can they escape the past in order to forge a future?
This book helps to bridge the gap between science and literary scholarship. Building on findings in the evolutionary human sciences, the authors construct a model of human nature in order to illuminate the evolved psychology that shapes the organization of characters in nineteenth-century British novels, from Jane Austen to E. M. Forster.
Reflecting the dynamic and expansive nature of Austen studies, A Companion to Jane Austen provides 42 essays from a distinguished team of literary scholars that examine the full breadth of the English novelist's works and career. Provides the most comprehensive and up-to-date array of Austen scholarship Functions both as a scholarly reference and as a survey of the most innovative speculative developments in the field of Austen studies Engages at length with changing contexts and cultures of reception from the nineteenth to the twenty-first centuries
This is the first exploration of the performative and theatrical force of Austen’s work and its afterlife, from the nineteenth century to the present. It unearths new and little-known Austen materials: from suffragette novels and pageants to school and amateur theatricals, passing through mid-twentieth-century representations in Scotland and America. The book concludes with an examination of Austen fandom based on an online survey conducted by the author, which elicited over 300 responses from fans across the globe. Through the lens of performative theory, this volume explores how Austen, her work and its afterlives, have aided the formation of collective and personal identity; how they have helped bring people together across the generations; and how they have had key psychological, pedagogical and therapeutic functions for an ever growing audience. Ultimately, this book explains why Austen remains the most beloved author in English Literature.
Michael and Matthias Bitzer or Pitzer immigrated to America from Germany. They lived in Pennsylvania prior to moving to Virginia. Mattias married Margaret and their children were Andrew, Conrad, John, Michael, Mathias, Jacob, William, James and Samuel. Their descendant Andrew Jackson Pittser married Mahala Jane Ratcliff. They moved to Ohio. Their children were Edom, John, George, William, Mahala, Andrew. Andrew's second wife was named Milly and their children were Sarah, Andrew, Rachel, Albert and James.
Readings of Jane Austen tend to be polarized: she is seen either as conformist - the prevalent view - or quietly subversive. In General Consent in Jane Austen Barbara Seeber overcomes this critical stalemate, arguing that general consent does not exist as a given in Austen's texts. Instead, her texts reveal the process of manufacturing consent - of achieving ideological dominance by silencing dissent. Drawing on the theories of Mikhail Bakhtin, Seeber interrogates academic and popular constructions of Jane Austen, opening up Austen's "unresolvable dialogues."