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Ever since a traumatic experience as a college freshman four years earlier, Clare Matthews has had an aversion to men. But when she goes to spend the summer on one of Georgia’s Golden Isles as a companion for her cousin Sally, she finds herself drawn to Jon, a handsome young security guard who works on the family estate. When the feeling seems mutual, she hopes she has at last been healed. Then signs of his possible involvement in a dangerous criminal activity crop up, and Clare must make a decision that will affect the rest of her life.
Although a faculty member has been killed on campus and the murderer is still at large, English instructor Katherine Holiday never suspects the criminal might be one of her students. In fact, there’s a man in her adult evening class she wishes she could know better. Seeing no need for a college degree, Tyler McHenry, a partner in his father’s successful tree service, writes fiction for his own pleasure. No one at the University needs to know his personal reasons for enrolling in a first-year composition course. Still, he finds himself fascinated by the pretty teacher, who believes his writing should be published.
“Splendid. . . . McAlexander’s biography only makes it clearer than ever that Peter Taylor was our last great southern man of letters.”—Chicago Tribune “For those of us to whom Taylor’s writing is among the chief glories of 20th-century American literature, Peter Taylor: A Writer’s Life has much to tell us about how he emerged from what he called ‘the small old world we knew...in Tennessee’ and explored that world with such acuity, clarity, and unsentimental love.”—Jonathan Yardley, Washington Post Book World “McAlexander has done a splendid job of tracing the progression of Taylor’s writing through the circumstances of a surprisingly frenetic life...Anyone interest...
To Know Her Own History chronicles the evolution of writing programs at a landmark Southern women's college during the postwar period. Kelly Ritter finds that despite its conservative Southern culture and vocational roots, the Woman's College of the University of North Carolina was a unique setting where advanced writing programs and creativity flourished long before these trends emerged nationally. Ritter profiles the history of the Woman's College, first as a normal school, where women trained as teachers with an emphasis on composition and analytical writing, then as a liberal arts college. She compares the burgeoning writing program here to those of the Seven Sisters (Wellesley, Smith, R...
A luxury hotel, a mysterious guest, a secret organization...and a girl caught in the middle. All Ella-Cherie Silver ever wanted was the opportunity to work at the prestigious Lost Cantrell hotel. She never expected that once she got it, an unfortunate chance encounter with a guest, one Mr Zeke Gage, would have her embroiled in a secret crime syndicate named The Organization. Zeke promises Ella a way out of The Org. But can he save her before the criminal underworld claims her conscience or her life?
After she discovers the abusive side of his personality, Janet Mitchell leaves Jack Dexter, the professor who swept her off her feet. Will she discover the same darkness in Wes, the handsome young man who rescues her during a hurricane? Years ago, Wes Corbett vowed not to get romantically involved again, fearing anyone close to him might be harmed by his brother William, a born criminal. Now, as he weathers the storm with Janet, their mutual attraction becomes clear. Can he keep that vow—even though he knows William is on the loose and may be headed directly for them?
Former grade school bully and, later, amateur drug dealer Jeff Hudson turns his life around and is pursuing a degree in agriculture. His future, as well as a budding relationship with fellow student Sandy Harris, is threatened when a former dealer threatens to expose Jeff's past to university authorities if he doesn't rejoin the ring. Realizing that Jeff is no longer an angry, misunderstood boy, Sandy must take a stand against her family and friends who swear he is no good and will only cause her unhappiness. Together, can they escape the past in order to forge a future?
In the late 1960s, colleges and universities became deeply embroiled in issues of racial equality. To combat this, hundreds of new programs were introduced to address the needs of "high-risk" minority and low-income students. In the years since, university policies have flip-flopped between calls to address minority needs and arguments to maintain "Standard English." Today, anti-affirmative action and anti-access sentiments have put many of these high-risk programs at risk. In Interests and Opportunities, Steve Lamos chronicles debates over high-risk writing programs on the national level and, locally, at the University of Illinois at Urbana-Champaign. Using critical race theorist Derrick Be...
Framed by historic developments—from the Open Admissions movement of the 1960s and 1970s to the attacks on remediation that intensified in the 1990s and beyond—Basic Writing traces the arc of these large social and cultural forces as they have shaped and reshaped the field.
Winner of the 2015 James M. Britton Award presented by Conference on English Education a constituent organization within the National Council of Teachers of English Carmen Kynard locates literacy in the twenty-first century at the onset of new thematic and disciplinary imperatives brought into effect by Black Freedom Movements. Kynard argues that we must begin to see how a series of vernacular insurrections—protests and new ideologies developed in relation to the work of Black Freedom Movements—have shaped our imaginations, practices, and research of how literacy works in our lives and schools. Utilizing many styles and registers, the book borrows from educational history, critical race theory, first-year writing studies, Africana studies, African American cultural theory, cultural materialism, narrative inquiry, and basic writing scholarship. Connections between social justice, language rights, and new literacies are uncovered from the vantage point of a multiracial, multiethnic Civil Rights Movement.