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Museum Experience Revisited
The first book to take a "visitor's eye view" of the museum visit, updated to incorporate advances in research, theory, and practice in the museum field over the last twenty years.
The Museum Experience Revisited
The first book to take a "visitor's eye view" of the museum visit when it was first published in 1992, The Museum Experience revolutionized the way museum professionals understand their constituents. Falk and Dierking have updated this essential reference, incorporating advances in research, theory, and practice in the museum field over the last twenty years. Written in clear, non-technical style, The Museum Experience Revisited paints a thorough picture of why people go to museums, what they do there, how they learn, and what museum practitioners can do to enhance these experiences.
The Museum Experience
In the first book to take a "visitor's eye view" of the museum visit, Falk and Dierking present research findings to demonstrate people's motivations for visiting museums and how museum professionals can enhance their visitors' experiences.
Between Nature and Culture
"He completed the assignment in two phases: The photographs made during the first phase (April 1984-March 1989) capture the natural ruggedness of the terrain and establish its relationship to the developed neighboring enclaves. Those made during the second phase (April 1992-August 1997) not only record the actual construction process but also reveal Deal's personal perspective on the qualities of light and the creation of form. Represented in this book as a selection from the resulting portfolio, Topos, a Greek word meaning place, site, position, and occasion - Deal's artistic legacy to the Gerry Center."--BOOK JACKET.
The Tide Was Always High
"Published with the assistance of the Getty Foundation"--Title page
Phenomenal
“The Light and Space movement—of great importance to my development as a young artist—is far more than a valid art historical reference. It translates matters of psychology, phenomenology, criticality, emotional investment, and now-ness into an immaterial language that is both subversive and compelling. Light and Space is as contemporary as ever.” —Olafur Eliasson
Revolution and Ritual
Published by the Ruth Chandler Williamson Gallery, Scripps College in association with Getty Publications This richly illustrated exhibition catalogue features photographs by three Mexican women, each representing a different generation, who have explored and stretched notions of Mexican identity in works that range from the documentary to the poetic. Revolution and Ritual looks first at the images of Sara Castrejón (1888–1962), the woman photographer who most thoroughly captured the Mexican Revolution. The work of photographic luminary Graciela Iturbide (born 1942) sheds light on Mexico’s indigenous cultures. Finally, the self-portraits of Tatiana Parcero (born 1967) splice images of her body with cosmological maps and Aztec codices, echoing Mexico’s layered and contested history. By bringing their work into conversation, Revolution and Ritual invites readers to consider how Mexican photography has been transformed over the past century.
Sephardi and Mizrahi Jews in America
Sephardi and Mizrahi Jews in America includes academics, artists, writers, and civic and religious leaders who contributed chapters focusing on the Sephardi and Mizrahi experience in America. Topics will address language, literature, art, diaspora identity, and civic and political engagement. When discussing identity in America, one contributor will review and explore the distinct philosophy and culture of classic Sephardic Judaism, and how that philosophy and culture represents a viable option for American Jews who seek a rich and meaningful medium through which to balance Jewish tradition and modernity. Another chapter will provide a historical perspective of Sephardi/Ashkenazi Diasporic t...
Mobilizing Food Vending
Mobilizing Food Vending investigates the gourmet food truck movement in the United States and provides a clearer understanding of the social and economic factors that shape vendor autonomy and industry growth. The book features case studies in a variety of American cities and uses top-down and bottom-up urban theory to frame a discussion of food trucks’ rights, displacement, and resiliency. Using ethnographic and archival research collected from industry experts, the book examines vendors’ operational strategies, their regulatory challenges when navigating the city, and their economic, cultural, and political roles in shaping urban space. Mobilizing Food Vending argues that food truck vendors are critical actors that support local economies and contribute to the public realm while shaping regulatory policy from the bottom up. This book will appeal to urban scholars studying the contemporary neoliberal city, the public realm, and communication technology and mobility, as well as to urban planners seeking to understand how vendors shape city plans and policies.
Making Architecture
This volume completes the documentation of the planning, design, and construction of the Getty Center begun in The Getty Center (1991). Designed by Richard Meier and Partners, the Getty Center sits atop a stunning 110-acre hilltop in west Los Angeles and is the new home for the Museum, the five Institutes, and the Grant Program that make up the J. Paul Getty Trust. The book includes a series of essays that underscore the challenges faced by architect, contractor, and owner working collaboratively. A chronology identifies the key dates and events in the design and construction process. Extensively illustrated with photographs by several accomplished photographers, site drawings from Richard Meier and Partners, and Robert Irwin's drawings of the Central Gardens, the book presents readers with an insider's view of the making of the Getty Center.
