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London, a Pilgrimage
London in the middle of the 1800s was a subject endlessly sketched by artists, studied by social reformers, and discussed by writers. This comprehensive collection of drawings by Gustave Dor,̌ France's most celebrated graphic artist of the period, presents a panoramic portrait of that engrossing city - from fashionable ladies riding in a sunlit park to ragged wretches in a shadowy side street. Here are amazingly perceptive sketches of workaday London, busy market places, the Christy Minstrels, a waterman's family, thieves gambling, the Devils' Acre in Westminster, flower girls, waifs and strays, a wedding at the Abbey, provincials in search of lodgings, a garden party, prisoners in the Newgate exercise yard, stalls at Covent Garden Opera House, and many other scenes that capture the London of a bygone era.
Not Without My Ghosts
Not Without My Ghosts' brings together more than 30 international artists, from the late nineteenth century to the present day, whose work is inspired by Spiritualism and its rich cultural history.0With original essays by art historian Susan L. Aberth and curators Simon Grant and Lars Bang Larsen, this publication explores the anti-authoritarian political agendas of nineteenth-century Spiritualism and the movement?s close association to the history of feminism, as well as its continued influence on contemporary practitioners. Spanning diverse artistic approaches, 'Not Without My Ghosts' offers a unique insight into the ties that bind spirit and mediumistic art across the centuries.00Artists ...
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Roger Cecil
Roger Cecil (1942-2015) has been described as one of the great abstract artists of his generation, yet in his lifetime he was hardly known outside a circle of fellow painters. He was content to paint for himself, protecting his privacy and exhibiting rarely. If he did show his work, collectors rushed to acquire it. Among curators, he was a legendary figure. When his body was found after a police search in 2015, his death made headlines. At art college in the early 1960s he was a star of his generation, but he walked out on a scholarship to the Royal College of Art and returned to practise on his own in the South Wales mining village and terraced house where he grew up. He devoted himself to ...
Gwen John and Augustus John
Augustus John (1878-1961) was a hugely charismatic and colourful figure, his technical skill as a draughtsman matched by his bohemian manners and dashing appearance. In the pre-war years he epitomised the rebellious artist, travelling the country in a caravan and learning Romany as a result of the time he spent with gypsies. An official War artist during the first war, he subsequently took up a career as a portraitist, painting the leading literary figures of his day as well as inheriting Sargent's mantle as a painter of Society. Gwen John (1876-1939) studied at the Slade along with Augustus, leaving in the same year (1898). She then studied in Paris under Whistler, adopting his remarkable control of colour. In 1904 she settled permanently in France, where she earned a living as a model for artists including Rodin, who became her lover. The opposite of her brother both in personality and artistically, she favoured introspective subjects, and led a reclusive life.
In a Dream You Saw a Way to Survive and You Were Full of Joy
Published on the occasion of the Hayward touring exhibition.
Bedwyr Williams
My Bad is Bedwyr Williams' largest solo exhibition to date and this accompanying catalogue presents the most comprehensive survey of his work.Williams observes the world with a sharp eye and wry humour. His work includes a wide range of media, including performance, sculpture, painting and photography.Drawing on his own personal narratives and family histories – from school days in a North Wales farming community to his experiences as an artist-in-residence – Williams has become known for sculpture and performance work reflecting on rural life, loss, memory and the folly of ambition.My Bad draws its title from an American vernacular phrase for admitting fault. The exhibition is comprised largely of newly commissioned installation and sculptural pieces, marking a departure from the artist's previous concerns with Wales and 'Welshness'.Published to accompany the exhibition Bedwyr Williams: My Bad at Ikon Gallery (16 May – 8 July 2012) and touring to Glynn Vivian Art Gallery, Swansea in partnership with Mission Gallery, Swansea (17 November 2012 – 6 January 2013).
The Curious Moaning of Kenfig Burrows
This volume was inspired by the life and work of Victorian astronomer and photographer Thereza Dillwyn Llewelyn, and her father, John.
The Progressive Revolution
"Formed within months of the 1947 Partition of India and the ensuing violence and protest, the Progressive Artists' Group (PAG) included artists seeking a break with their country's past and its cultural constraints. Through lush illustrations and scholarly essays, this volume looks at the brand of modernism the Group espoused and its relevance and importance to contemporary art. The careers of artists K.H. Ara, S.K. Bakre, H.A. Gade, V.S. Gaitonde, M.F. Husain, Krishen Khanna, Ram Kumar, Tyeb Mehta, Akbar Padamsee, S.H. Raza, Mohan Samant, and F.N. Souza are presented in three sections. Progressives in Their Time explores how the artists turned away from the trauma of colonial rule and Part...
The Empire Strikes Back
"As the base for global economic power shifts from the West to Asia, India has undergone a transformation. The mobile phone has reached the Indian village. The is now home to an emerging high-tech culture, which has brought with it entrepreneurship and pockets of wealth. A vibrant contemporary Indian art world with a developed gallery structure has risen with the new economy." "In her accompanying text to The Empire Strikes Back, Zehra Jumabhoy tracks the relationship between the art world and the economic climate. She succinctly presents the diverse threads of contemporary India, while touching on such universal themes as gender politics, national stereotypes and the collision between the 'folk' tradition and the computer age." "Just as a new international art world has surfaced in the galleries of Mumbai and other Indian cities with spectacular results, clearly evident throughout The Empire Strikes Back, Jumabhoy argues that the same culture is vulnerable to the effect of the recession and that the end of an economic boom may indeed have healthy consequences for this vital generation of Indian artists." --Book Jacket.
