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"... a useful introduction to an important field of African creative writing that has been invisible for the most part in North America and Europe." --Eileen Julien Readings in African Popular Fiction explores the social, political, and economic contexts of popular narratives by bringing together new and classic essays by important scholars in African literature and eight primary texts. Excerpts from popular magazines, cartoons, novellas, and moral and instructional pamphlets present African popular fiction from all areas of the continent. Selections include essays on Hausa creative writing, the influence of Indian film in Nigeria, Onitsha market literature, writing and popular culture in Ca...
Refusing to be governed by what is fashionable or inoffensive, Heribert Adam and Kogila Moodley frankly address the passions and rationalities that drive politics in post-apartheid South Africa. They argue that the country's quest for democracy is widely misunderstood and that public opinion abroad relies on stereotypes of violent tribalism and false colonial analogies. Adam and Moodley criticize the personality cult surrounding Nelson Mandela and the accolades accorded F. W. de Klerk. They reject the black-versus-white conflict and substitute sober analysis and strategic pragmatism for the moral outrage that typifies so much writing about South Africa. Believing that the best expression of ...
The title of this work, Attitudes, is intended to sum up the link that connects the stories, or, put another way, the thread running through them. Each story deals with the attitude of the writer (or one or more of the characters) towards a different subject.
Award-winning journalist Alec Russell was in South Africa to witness the fall of apartheid and the remarkable reconciliation of Nelson Mandela's rule; and returned in 2007-2008 to see Mandela's successor, Thabo Mbeki, fritter away the country's reputation. South Africa is now perched on a precipice, as it prepares to elect Jacob Zuma as president - signaling a potential slide back to the bad old days of post-colonial African leadership, and disaster for a country that was once the beacon of the continent. Drawing on his long relationships with all the key senior figures including Mandela, Mbeki, Desmond Tutu, and Zuma, and a host of South Africans he has known over the years - including former activists turned billionaires and reactionary Boers - Alec Russell's Bring Me My Machine Gun is a beautifully told and expertly researched account of South Africa's great tragedy: the tragedy of hope unfulfilled.
The Novel in Africa and the Caribbean since 1950 examines the institutional and social peculiarities that make fiction produced in Africa and the Atlantic World since 1950 important to the history of the novel in English.
Providing a survey of Anglophone African detective fiction, from the late 1940s to the present day, this study traces its history both as a literary form and a mode of critical exploration of the fraught sovereignties of the African state and its citizens. Since the late 1940s, African writers including Cyprian Ekwensi, Arthur Maimane, Adaora Lily Ulasi, Hilary Ng'weno, Unity Dow, Parker Bilal, and Angela Makholwa have published over 200 murder mysteries, police procedurals, spy thrillers, and other fictional narratives of investigation and discovery in English-language newspapers, magazines, and novels. Distributed widely across the continent's diverse cultural and political geographies, th...
This book examines a largely neglected phenomenon in the field of international relations--the concept of the isolated state. Deon Geldenhuys begins by discussing how he measures both voluntary and enforced international isolation by, among other things, membership of international organizations, official visits and international censure. He then presents a number of case studies of self-isolation. The remainder of the study is devoted to an analysis of the enforced isolation of Taiwan, Israel, Chile and South Africa. Using a wealth of statistical material, he demonstrates their varying degrees of isolation in the diplomatic, military, economic and socio-cultural arenas of the international community.
This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.