Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This Can't be Happening at Macdonald Hall!
As they seem to be at the bottom of every prank at Macdonald Hall, the headmaster decides to separate roommates Bruno and Boots, but to little avail.
The Grateful Dead
None
What about Power?
What about Power? is the second book in our Inquiries into Contemporary Sculpture series, exploring contemporary sculpture in conjunction with SculptureCenter, New York. Comprising essays, short reflections and illustrated throughout, What about Power? is a comprehensive and insightful exploration, with contributions from an international assemblage of artists, writers, art historians and curators working in the field.
The Well of Loneliness
This early work by Radclyffe Hall was originally published in 1928 and we are now republishing it with a brand new introductory biography. 'The Well of Loneliness' is a novel that follows an upper-class Englishwoman who falls in love with another woman while serving as an ambulance driver in World War I. Marguerite Radclyffe Hall was born on 12th August 1880, in Bournemouth, England. Hall's first novel The Unlit Lamp (1924) was a lengthy and grim tale that proved hard to sell. It was only published following the success of the much lighter social comedy The Forge (1924), which made the best-seller list of John O'London's Weekly. Hall is a key figure in lesbian literature for her novel The Well of Loneliness (1928). This is her only work with overt lesbian themes and tells the story of the life of a masculine lesbian named Stephen Gordon.
Out
Out is a fashion, style, celebrity and opinion magazine for the modern gay man.
Writing and Censorship in Britain
First published in 1992, Writing and Censorship in Britain explores the issue of censorship, from a range of cultural and literary perspectives, from the Tudor period to the 1990s. Written by some of the leading experts in the field, this collection charts the struggles for artistic expression, reveals how censorship is appropriated as a legitimate tactic in the defence of oppressed and marginalised groups, and analyses the struggles writers have employed in the face of its complex dynamics. Here variously defined, defended and deplored, censorship emerges as both an unstable and a potent concept. Through it we define ourselves: as readers, as writers and as citizens. This book will be of interest to students of literature, history and law.
