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This book explores the extraordinarily violent and abusive nature of Stephen Donaldson's male protagonists. Thomas Covenant of The Chronicles is a leper, rotten and physically collapsing. In Mordant's Need and The Gap series the male characters are moral lepers. The Gap offers a Janus-faced male lead in the form of two men who are both multiple rapists. The male hero in Mordant's Need is outwardly socially acceptable but his alter egos are overly corporeal and sexually obsessed. In spite of their unappealing condition, all these protagonists yearn to be loved. Using the psychoanalytical theories of Julia Kristeva, this book identifies reasons for Donaldson's derogatory characterization and provides an insight into why these novels cannot allow their male protagonists to establish viable love relationships. This study also explains why maternal characters are jettisoned from the narratives, considers the problematic nature of father figures and examines the incipient undertow of psychosis.
In The Hawkline Monster, Brautigan's minimalist metafictive parody of the double depicts our narcissistic view of reality. In Double or Nothing, Federman subverts the conventional double, exposing its gamelike structures and traditional views of life and text.
Traditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a generally received notion, but the field still lacks studies with a postmodern methodology and lens.Explorin...
Traditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a generally received notion, but the field still lacks studies with a postmodern methodology and lens.Explorin...
Christopher Redmond’s fascinating account of Doyle’s first trip to America has been reconstructed from newspaper accounts describing the places Doyle visited, from the Adirondacks to New York, Chicago, and Toronto. Despite the gruelling tour schedule, Doyle met dozens of the most important literary and social lights of America. Everywhere he went he was mobbed by public hungry for news of the man he had "killed off" a year earlier — Sherlock Holmes, who was front page news. In Redmond’s lively narrative, which is based on letters, newspaper reports, and other newly unearthed sources, you will discover, as Doyle himself put it, "the romance of America."
This book sets out to write nothing short of a new theory of the heroic for today's world. It delves into the "why" of the hero as a natural companion piece to the "how" of the hero as written by Northrop Frye and Joseph Campbell over half a century ago. The novels of Saul Bellow and Don DeLillo serve as an anchor to the theory as it challenges our notions of what is heroic about nymphomaniacs, Holocaust survivors, spurious academics, cult followers, terrorists, celebrities, photographers and writers of novels who all attempt to claim the right to be "hero."
It would be difficult to exaggerate the worldwide impact of postmodernism on the fields of cultural production and the social sciences over the last quarter century—even if the concept has been understood in various, even contradictory, ways. An interest in postmodernism and postmodernity has been especially strong in Canada, in part thanks to the country’s non-monolithic approach to history and its multicultural understanding of nationalism, which seems to align with the decentralized, plural, and open-ended pursuit of truth as a multiple possibility as outlined by Jean-François Lyotard. In fact, long before Lyotard published his influential work The Postmodern Condition in 1979, Canadian writers and critics were employing the term to describe a new kind of writing. RE: Reading the Postmodern marks a first cautious step toward a history of Canadian postmodernism, exploring the development of the idea of the postmodern and debates about its meaning and its applicability to various genres of Canadian writing, and charting its decline in recent years as a favoured critical trope.
Drawing on developments in critical theory and postmodernist fiction, this study makes an important contribution to the appreciation of playforms in language, texts, and cultural practices. Tracing trajectories in theories of play and game, and with particular attention to the writings of Nietzsche, Wittgenstein, Bakhtin, and Derrida, the author argues that the concept of play provides perspectives on language and communication processes useful both for analysis of literary texts and also for understanding the interactive nature of constructions of knowledge Exploring manifestations of game and play throughout the history of Western culture, from Plato to Pynchon, this study traces developme...
This resource provides information on a popular literary genre - the 20th century American short story. It contains articles on stories that share a particular theme, and over 100 pieces on individual writers and their work. There are also articles on promising new writers entering the scene.