You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
To this day, no comprehensive academic study of the development of guidebooks to Rome over time has been performed. This book treats the history of guidebooks to Rome from the Middle Ages up to the early twentieth century. It is based on the results of the interdisciplinary research project Topos and Topography, led by Anna Blennow and Stefano Fogelberg Rota. From the case studies performed within the project, it becomes evident that the guidebook as a phenomenon was formed in Rome during the later Middle Ages and early Renaissance. The elements and rhetorical strategies of guidebooks over time have shown to be surprisingly uniform, with three important points of development: a turn towards ...
Geoffrey D. Dunn is the first scholar to use classical rhetoric as the interpretative tool for analyzing the question of the authorship of Aduersus Iudaeos. He argues that Tertullian structured this work according to the rules of classical rhetoric and employed arguments familiar to anyone with training in oratory
"The Mute Stones Speak" by Paul Lachlan MacKendrick. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
This handbook has two purposes: it is intended (1) as a handbook of Etruscology or Etruscan Studies, offering a state-of-the-art and comprehensive overview of the history of the discipline and its development, and (2) it serves as an authoritative reference work representing the current state of knowledge on Etruscan civilization. The organization of the volume reflects this dual purpose. The first part of the volume is dedicated to methodology and leading themes in current research, organized thematically, whereas the second part offers a diachronic account of Etruscan history, culture, religion, art & archaeology, and social and political relations and structures, as well as a systematic treatment of the topography of the Etruscan civilization and sphere of influence. 
This book provides an enquiry into the distinguishing traits of Greek and Roman figural imagery. A detailed analysis of a wide range of material conveys an understanding of the figural imagery of classical antiquity as a whole, counterbalancing studies conducted on single genres. Through in-depth studies of six major production categories—Greek painted pottery, Roman decorated walls, Greek gravestones, Roman sarcophagi, Greek and Roman official sculpture, and Greek and Roman coins—the reader gains insights into the making of classical figural imagery. The images are explored within their contextual frameworks, paying attention to both functional purposes and pictorial traditions. Imageâ€...
Roman towns and their history are generally regarded as being the preserve of the archaeologist or the economic historian. In this famous, unusual and radical book which touches on such disparate themes as psychology and urban architecture, Joseph Rykwert has considered them as works of art. His starting point is the mythical, historical and ritual texts in which their foundation is recounted rather than the excavated remains, such texts having parallels not merely in ancient Greece but also further afield Mesopotamia, India and China. To achieve his reading of the Roman town, he has invoked the comparative method of the anthropologists, and he examines first of all the 'Etruscan rite', a gr...
None
Several Laocoons are identified in this study: the alleged lost "Greek original"; the extant marbles sculpted in the first century; the sixteenth-century restoration and its affect; the eighteenth- and nineteenth-century topos of critical judgment; and the twentieth-century re-restored artifact of ancient art.
The finds in the Athenian Agora from the Neolithic and Bronze Ages have added important chronological context to the earliest eras of Athenian history. The bulk of the items are pottery, but stone, bone, and metal objects also occur. Selected material from the Neolithic and from the Early and Middle Helladic periods is catalogued by fabric and then shape and forms the basis of detailed discussions of the wares (by technique, shapes, and decoration), the stone and bone objects, and their relative and absolute chronology. The major part of the volume is devoted to the Mycenaean period, the bulk of it to the cemetery of forty-odd tombs and graves with detailed discussions of architectural forms; of funeral rites; of offerings of pottery, bronze, ivory, and jewelry; and of chronology. Pottery from wells, roads, and other deposits as well as individual vases without significant context, augment the pottery from tombs as the basis of a detailed analysis of Mycenaean pottery. A chapter on historical conclusions deals with all areas of Mycenaean Athens.
None