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The Orange Eats Creeps
National Book Foundation "5 under 35" honoree -- 2010. A Best Book of 2010 --NPR, Amazon, Shelf Unbound The Believer Book Award, Finalist Indie Bookseller's Choice Awards, Finalist "Krilanovich's work will make you believe that new ways of storytelling are still emerging from the margins." --Rachel Syme, NPR A girl with drug-induced ESP and an eerie connection to Patty Reed (a young member of the Donner Party who credited her survival to her relationship with a hidden wooden doll), searches for her disappeared foster sister along "The Highway That Eats People," stalked by a conflation of Twin Peaks' "Bob" and the Green River Killer, known as Dactyl. The New Classics series aims to celebrate the enduring cultural impact that publications have made by refreshing these evergreen titles with cover designs and new introductions or afterwords by acclaimed writers and artists that speak to the resonance and relevance of these works.
A Questionable Shape
In the wake of an infection that has left Baton Rouge unsettled and roiling with the ‘undead’, three young friends – Mazoch, Vermaelen and Rachel – band together to search for Mazoch’s missing father. Their mission is to visit all the places he once lingered: his favourite fast food restaurants, the movie theatre he frequented with his son and the city park. As hurricane season looms, uncertainty and suspicion of each other’s motives threatens to pull the group apart, but still, the friends’ search continues. Over the course of a week, day after day, they haunt the places Mazoch’s father once haunted, confronting the same persistent hope that faces all who grieve: that whomever, whatever they have lost, will return to them, in one shape or another. Turning typical zombie fare on its head, Bennett Sims delivers a wise and philosophical rumination on the nature of memory and loss in this remarkable debut novel.
This Is What We Do
“[This Is What We Do] is...Atlas Shrugged jammed in reverse and with the tires smoked. It's Ayn Rand for people with a brain. And a gun. It's a kick. Read it.” —Sean Beaudoin, author of You Killed Wesley Payne and The Infects James Nethery is at the end of his rope. Unable to find meaning in his comfortable life, he has cut himself off from everyone and fled to Paris. His mission; to rid himself of a lifetime of baggage, erase the past, and start over. He wanders Paris aimlessly until he meets Lily, a Ukrainian model and hooker. They form a unique bond, and together take the first steps toward writing new stories of their lives. Soon, Lily’s past catches up with her and they are forced to go on the lam in a strange country. Together they must decide between justice and vengeance, and, when forced to take action, between what is too much—and not enough. This Is What We Do is part neo–noir thriller, part love story, and part cautionary tale of the perils of trying to write a new life from nothing—and the stories that will be written for you by others if you find yourself in the public eye.
American Gangbang
Recounts the author's experiences as an Ivy League college graduate turned successful pornographic film producer.
American Psycho
Bret Easton Ellis’s American Psycho is one of the most controversial and talked-about novels of all time. A multi-million-copy bestseller hailed as a modern classic, it is a violent and outrageous black comedy about the darkest side of human nature. With an introduction by Irvine Welsh, author of Trainspotting. I like to dissect girls. Did you know I’m utterly insane? Patrick Bateman has it all: good looks, youth, charm, a job on Wall Street, and reservations at every new restaurant in town. He is also a psychopath. A man addicted to his superficial, perfect life, he pulls us into a dark underworld where the American Dream becomes a nightmare . . . Part of the Picador Collection, a series showcasing the best of modern literature.
Sky Saw
Another disturber from the author of Nothing and There Is No Year.
And Every Day Was Overcast
This photography-driven fiction about coming of age in the creep show of south Florida's swamps and strip malls is "unlike any book I've ever read . . . A completely original and clearheaded voice" (Ira Glass, host of This American Life) Out of South Florida's lush and decaying suburban landscape bloom the delinquent magic and chaotic adolescence of And Every Day Was Overcast. Paul Kwiatkowski's arresting photographs amplify a novel of profound vision and vulnerability. Drugs, teenage cruelty, wonder, and the screen-flickering worlds of Predator and Married . . . With Children shape and warp the narrator's developing sense of self as he navigates adventures and misadventures, from an ill-fated LSD trip on an island of castaway rabbits to the devastating specter of HIV and AIDS. This alchemy of photography and fiction gracefully illuminates the travesties and triumphs of the narrator's quest to forge emotional connections and fulfill his brutal longings for love.
The Orange Eats Creeps
*National Book Foundation '5 Under 35' Award *NPR Best Books of 2010 *The Believer Book Award Finalist *Indie Bookseller's Choice Awards Finalist "The book feels written in a fever; it is breathless, scary, and like nothing I've ever read before. Krilanovich's work will make you believe that new ways of storytelling are still emerging from the margins." —NPR A girl with drug-induced ESP and an eerie connection to Patty Reed (a young member of the Donner Party who credited her survival to her relationship with a hidden wooden doll), searches for her disappeared foster sister along “The Highway That Eats People,” stalked by a conflation of Twin Peaks’ “Bob” and the Green River Killer, known as Dactyl.
Purple and Black
As enemies become stalwart allies, heartbreak lurks within victory and a forgotten moment of youth threatens everything, Parker sends the brief (but never terse) story flying to a wrenching and all too realistic conclusion."Publishers Weekly" (starred review)
Addiction, Representation and the Experimental Novel, 1985-2015
Since the nineteenth century, the Western realistic novel has persistently represented the addict as a morally toxic force bent on destroying the institutions, practices, and ideologies that historically have connoted reason, order, civilization. Addiction, Representation undertakes an investigation into an alternative literary tradition that unsettles this limited portrayal of the addict. The book analyzes the practices and politics of reading the experimental addiction novel, and outlines both a practice and an ethics of reading that advocates for a more compassionate response to both diegetic and extra-diegetic addicts--an approach that, at its core, is focused on understanding.
