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Worlds Apart?
Literary critics and scholars have written extensively on the demise of the "utopian spirit" in the modern novel. What has often been overlooked is the emergence of a new hybrid subgenre, particularly in science fiction and fantasy, which incorporates utopian strategies within the dystopian narrative, particularly in the feminist dystopias of the 1980s and 1990s. The author names this new subgenre "transgressive utopian dystopias." Suzette Haden Elgin's Native Tongue trilogy, Suzy McKee Charna's Holdfast series, and Margaret Atwood's The Handmaid's Tale are thoroughly analyzed within the context of this this new subgenre of "transgressive utopian dystopias." Analysis focuses particularly on how these works cover the interrelated categories of gender, race and class, along with their relationship to classic literary dualism and the dystopian narrative. Without completely dissolving the dualistic order, the feminist dystopias studied here contest the notions of unambiguity and authenticity that are generally part of the canon.
Dystopia on Demand: Technology, Digital Culture, and the Metamodern Quest in Complex Serial Dystopias
Serial storytelling has the advantage of unlocking rather than simplifying the complexities of digital culture. With their worldbuilding potential, TV series open up new artistic horizons, particularly for the dystopian genre. Situated at the nexus of dystopia, complex TV, and a metamodern cultural logic, Dystopia on Demand: Technology, Digital Culture, and the Metamodern Quest in Complex Serial Dystopias offers readers novel insights into the dynamics of serial dystopias in the contemporary streaming landscape. Introducing the term 'complex serial dystopias' to describe series that allow audiences to engage with the dystopian premise from multiple angles, the book examines four Anglo-American series, including Black Mirror, Mr. Robot, Westworld, and Kiss Me First. The in-depth analyses trace the variety of ways in which these series offer critical reflections on the human-technology entanglement in digital culture.
Biopunk Dystopias
Biopunk Dystopias analyses 21st century cultural anxieties and dystopian visions about the consequences of biotechnology, especially genetic engineering, as part of contemporary social reality.
Threatening Dystopias
Bangladesh is currently ranked as one of the most climate vulnerable countries in the world. In Threatening Dystopias, Kasia Paprocki investigates the politics of climate change adaptation throughout the South Asian nation. Drawing on ethnographic and archival fieldwork, she engages with developers, policy makers, scientists, farmers, and rural migrants to show how Bangladeshi and global elites ignore the history of landscape transformation and its attendant political conflicts. Paprocki looks at how groups craft economic narratives and strategies that redistribute power and resources away from peasant communities. Although these groups claim that increased production of export commodities w...
The Age of Dystopia
This book examines the recent popularity of the dystopian genre in literature and film, as well as connecting contemporary manifestations of dystopia to cultural trends and the implications of technological and social changes on the individual and society as a whole. Dystopia, as a genre, reflects our greatest fears of what the future might bring, based on analysis of the present. This book connects traditional dystopian works with their contexts and compares these with contemporary versions. It centers around two main questions: Why is dystopia so popular now? And, why is dystopia so popular with young adult audiences? Since dystopia reflects the fears of society as a whole, this book will have broad appeal for any reader, and will be particularly useful to teachers in a variety of settings, such as in a high school or college-level classroom to teach dystopian literature, or in a comparative literature classroom to show how the genre has appeared in multiple locales at different times. Indeed, the book’s interdisciplinary nature allows it to be of use in classes focussing on politics, bioethics, privacy issues, women’s studies, and any number of additional topics.
Dystopias and Utopias on Earth and Beyond
Foreword: Ecofeminism and speculative fiction : a writer's reflection / Vandana Singh -- Preface / Douglas A. Vakoch -- Introduction / Patrick D. Murphy -- Climate change and future Earth dystopias. An ecofeminist reading of Octavia Butler's Parable of the sower and Parable of talents / Hatice Övgü Tüzün -- An ecofeminist treatment of nourishment and feeding in Margaret Atwood's MaddAddam trilogy / Debra Wain -- Margaret Atwood's ecodystopic SF : approaching ethics, gender, and ecology / Izabel F. O. Brandão and Ildney Cavalcant -- Ecofeminist (post) Ice-Age ecotopia : Doris Lessing's 'Mara and Dann' books / Julia Kuznetsk -- Ecofeminist climate fiction : Merlinda Bobis's Locust girl / ...
No Place Else
Writers have created fictions of social perfection at least since Plato’s Republic. Sir Thomas More gave this thread of intellectual history a name when he called his contribution to it Utopia, Greek for no place. With each subsequent author cognizant of his predecessors and subject to altered real-world conditions which suggest ever-new causes for hope and alarm, “no place” changed. The fourteen essays presented in this book critically assess man’s fascination with and seeking for “no place.” “In discussing these central fictions, the contributors see ‘no place’ from diverse perspectives: the sociological, the psychological, the political, the aesthetic. In revea...
Dystopian Literature
Dystopian literature is a potent vehicle for criticizing existing social conditions and political systems. While utopian literature portrays ideal worlds, dystopian literature depicts the flaws and failures of imaginative societies. Often these societies are related to utopias, and the dystopian writers have chosen to reveal shortcomings of those social systems previously considered ideal. This reference overviews dystopian theory and summarizes and analyzes numerous dystopian works. By reviewing the critical thought of particular dystopian theorists, the beginning of the volume provides a theoretical context for the remainder of the book. Because dystopian literature is so closely related to utopian writing, the reference profiles and discusses eight important utopian works. The rest of the book includes entries for numerous dystopian novels, plays, and films. Each entry summarizes the work and discusses dystopian themes. The entries include short bibliographies, with full bibliographic information provided at the end of the volume. This comprehensive guide covers the full period from Thomas More's Utopia to the present day.
Dystopia
Imagine living in a world where everything you do is controlled. In the distant future the United States has been split into two regions separated by a barren wasteland; this is the country of Dystopia. Here the individual is discouraged, freedom is an illusion, food is rationed, and everything you do is tracked by a chip implanted in your arm. This is Dana Ginary's world. At age seventeen, people receive their career assignments chosen for them by a government body. Forced to work at the Waste Management Plant because she was declared too individualistic, Dana finds herself surrounded by death and brutality. Knowing her days are numbered, she looks for a way to leave the plant before she, too, becomes one of its causalities. It is then she meets a man named George and soon finds herself caught up in a cat and mouse game between the resistance and the Dystopian government. Dana finds herself faced with an agonizing choice of whom she will betray and whom she will save: her friend George, her parents, or herself.
Utopia/Dystopia
The concepts of utopia and dystopia have received much historical attention. Utopias have traditionally signified the ideal future: large-scale social, political, ethical, and religious spaces that have yet to be realized. Utopia/Dystopia offers a fresh approach to these ideas. Rather than locate utopias in grandiose programs of future totality, the book treats these concepts as historically grounded categories and examines how individuals and groups throughout time have interpreted utopian visions in their daily present, with an eye toward the future. From colonial and postcolonial Africa to pre-Marxist and Stalinist Eastern Europe, from the social life of fossil fuels to dreams of nuclear ...
