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Canuck Rock
The Guess Who. Gordon Lightfoot. Joni Mitchell. Neil Young. Stompin' Tom Connors. Robert Charlebois. Anne Murray. Crowbar. Chilliwack. Carole Pope. Loverboy. Bryan Adams. The Barenaked Ladies. The Tragically Hip. Céline Dion. Arcade Fire. K-oS. Feist. These musicians are national heroes to generations of Canadians. But what does it mean to be a Canadian musician? And why does nationality even matter? Canuck Rock addresses these questions by delving into the myriad relationships between the people who make music, the industries that produce and sell it, the radio stations and government legislation that determine availability, and the fans who consume it and make it their own. An invaluable resource and an absorbing read, Canuck Rock spans from the emergence of rock and roll in the 1950s through to today's international recording industry. Combining archival material, published accounts, and new interviews, Ryan Edwardson explores how music in Canada became Canadian music.
Sexing the Groove
Sexing the Groove discusses these issues and many more, bringing together leading music and cultural theorists to explore the relationships between popular music, gender and sexuality. The contributors, who include Mavis Beayton, Stella Bruzzi, Sara Cohen, Sean Cubitt, Keith Negus and Will Straw, debate how popular music performers, subcultures, fans and texts construct and deconstruct `masculine' and `feminine' identities. Using a wide range of case studies, from Mick Jagger to Riot Grrrls, they demonstrate that there is nothing `natural', permanent or immovable about the regime of sexual difference which governs society and culture. Sexing the Groove also includes a comprehensive annotated bibliography for further reading and research into gender and popular music.
Cultural Studies 11.3
This intriguing issue represents the truly international and interdisciplinary nature of contemporary work in cultural studies. Cultural Studies has reflected the discipline in becoming ever more global in scope and perspective.
Leviathan Undone?
Bringing together leading theorists and scholars in contemporary spatial thinking and political economy, this volume presents an unprecedented collection of essays on scale, as well as case studies on the restructuring of our global society.
NAFTA Stories
Ann Kingsolver presents stories people have tole about NAFTA - young people and old, urban and rural, with differing political perspectives, occupations, and other markers of identity - that demonstrate their expectations and imaginations of the sweeping trade agreement. NAFTA. Kingsolver contends, both before and after its passage, became a catch-all in public discourse for tensions related to neoliberal policies and to economic and cultural processes of globalization. The storytellers in her book, from Mexico, Kentucky, and California, imagined the meaning and possible effects of regional integration on topics ranging from agriculture, to the stereotyping of workers, to national sovereignty and identity. NAFTA became invested with possibilities far beyond the scope of its literal provisions. Kingsolver analyzes the metaphorical meanings attributed to NAFTA, whether a giant truck in your rear-view mirror(in Ralph Nader's words) or a panacea for what they tell us about the changing relationship between national governments and their publics. She finds that, rather than strengthening national authority, the passage of NAFTA led to intense public questioning and deep political divi
Whiteness and Social Change
Whiteness and Social Change provides a comparative engagement with whiteness – the unearned and at times unmarked social-structural privilege afforded to some at the expense of others – in contemporary Australia and Canada. Through a detailed examination of high profile community campaigns at Sandon Point (New South Wales, Australia) and the Red Hill Creek valley (Ontario, Canada) – situated alongside an analysis of white interpretations of the 1966 Wave Hill walkout (Northern Territory, Australia) – the actions of broader communities supporting First Peoples struggles expose whiteness as manifesting itself irrespective of intent. Existing scholarship in sociology, science studies, political theory and critical whiteness studies are drawn on to identify means through which whiteness can be destabilised. The outcome is an identification of how collaborative struggle and the politics of experience produce moments of cognitive dissonance amongst white supporters. These moments are transformative, lay foundations for respect and recognition, and the move towards a fair and just society.
Continental Order?
Eleven contributions from North American scholars discuss "cybercapitalism" and the transnationalization of the capitalist political economy. They assess the extent of continental integration throughout the culture, media, telecommunications, and information industries since the 1989 Canada-U.S. Free Trade Agreement (CUSFTA) and the 1993 North American Free Trade Agreement (NAFTA). A sampling of topics includes networking the North American higher education industry, the print media in Canada and Mexico, and the North American entertainment economy. c. Book News Inc.
How Canadians Communicate III
What does Canadian popular culture say about the construction and negotiation of Canadian national identity? This third volume of How Canadians Communicate describes the negotiation of popular culture across terrains where national identity is built by producers and audiences, government and industry, history and geography, ethnicities and citizenships. Canada does indeed have a popular culture distinct from other nations. How Canadians Communicate III gathers the country's most inquisitive experts on Canadian popular culture to prove its thesis.
Voices of Mexico
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