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Peter Gabriel
If Genesis, according to British comedian and fan Al Murray 'were the progressive rock band who progressed', then Peter Gabriel as a solo artist would be the member that progressed the most. Who would have thought that listening to early Genesis would eventually take the listener to Senegal, Armenia, South Africa and beyond, via the artistic endeavours of their former vocalist? This is a journey through Peter Gabriel's solo albums, his live recordings and soundtrack compositions. During his forty-year plus solo career, Gabriel has become a worldwide pop star via his early, self-titled albums and his seminal 1986 record So. He has had hit singles throughout his career, including the bucolic '...
The Byrds on track
The Byrds were just a little bit ahead of their time. By releasing six genre-defining albums in three years, their transformative powers took electric guitars to traditional folk music, brought jazz into psychedelic pop and helped introduce what we now know as Americana, being the first major rock band to embrace the sound of Nashville. They were heralded as the pioneers of folk rock, acid rock and country rock, not to mention space rock, abstract electronics and all the inter-genre crossover material that defines most of their albums. They influenced so many of the musical movements that followed as they constantly progressed, hungry to push the boundaries of popular music. This book examin...
Motörhead on track
Motorhead were arguably the greatest rock and roll band in history, but it took many years to win that accolade. As a result, this is the story of the band that refused to die. The band had to deal with wayward producers, hostile record companies, a couple of false starts and even the ignominy of being proclaimed the Worst Band in the World by the NME! Famed for their loudness and their singular anthem, ‘Ace Of Spades’, Motorhead not only proved inspirational for a host of newer bands but also, accidentally, created two sub-genres of heavy music - speed and thrash metal. Not bad for a band who announced themselves with: ‘We are Motorhead, and we play rock and roll.’ at live gigs. Thi...
Warren Zevon
Bruce Springsteen called him ‘one of the great, great American songwriters’, Jackson Browne hailed him as ‘the first and foremost proponent of song noir’ and Stephen King once said that if he could write like Zevon, he ‘would be a happy guy’. The list of artists that lined up to appear on his records include Springsteen, Neil Young, Bob Dylan, Dave Gilmour and Emmylou Harris. So how is it that most people, if they have heard of Warren Zevon at all, know him only as ‘that werewolves guy’? This book goes beyond that solitary hit single to examine all aspects of Zevon’s multifaceted, five-decade career, from his beginnings in the slightly psychedelic folk duo lyme and cybelle,...
Dire Straits on Track
1979 was an amazing time for post-punk pop. At the end of March, a fresh new sound entered the UK top 20. It was ‘Sultans of Swing’, a very wordy song with lots of driving guitar, a tight rhythm section and some killer musicianship. Dire Straits, unlikely pop stars led by a 29-year-old Geordie who could play guitar brilliantly, had finally arrived. Six years later, they were, for a time, the biggest band in the world. Brothers in Arms sold by the truckload, one of the first massive sellers on CD. Since then, however, their star has fallen. Over exposure as the safe, boring champions of the CD age has resulted in Dire Straits becoming, to many, the embodiment of a certain sort of benign, ...
Slade in the 1970s
Slade were one of the biggest British bands of the 1970s. One of the early pioneers of glam rock, they enjoyed an incredible run of six number-one singles, five top-ten albums and a succession of sell-out tours. However, after a failed attempt at an American breakthrough in the mid-1970s, Slade returned to Britain and faced dwindling record sales, smaller concert halls and a music press that had lost interest in them. By the end of the decade, they were playing residencies in cabaret clubs and recorded a cover of a children’s novelty song. But then came a last-minute invitation to play the 1980 Reading Festival, setting in motion one of the most remarkable comebacks in rock history. It’s...
AC/DC on track
AC/DC are a global rock institution and big brand name. The secret to their success has always been that they are a rock ‘n’ roll band, pure and simple, undiluted by trends with a solid authenticity and no frills or pretentiousness. Chris Sutton examines the recorded output of the band in detail, helped by new interview material with former members, collaborators and friends in manager Michael Browning, drummers Peter Clack, Noel Taylor and Tony Currenti, engineer/producer Mike Fraser, logo designer Gerard Huerta, bassist Ian Hampton and engineer Dave Thoener. They have one of the world’s biggest-selling albums in Back In Black, but is it their best album, and which are their best song...
Tears for Fears on track
Even after 40 years, critics of Tears For Fears have tended to describe them as an 80s band. This is understandable when songs like ‘Mad World’ appear in films that typify that period and ‘Everybody Wants to Rule the World’ has had a prolonged life as one of the most played songs on streaming services. Roland Orzabal and Curt Smith quickly transformed from their first band, mod revivalists Graduate, to introspective studio obsessives with The Hurting, to global hitmakers on Songs from the Big Chair, before releasing The Seeds of Love - epic both in terms of vision and cost. Musical differences and strained relations led to the dissolution of the original partnership at the end of tha...
Led Zeppelin on track
Think about Led Zeppelin and the image coming to mind would be of the band straddling the world as the archetypal 'rock gods', defining the 1970s like no other artist did. Dig deeper though, and there's a lot more to Zeppelin than hard rock and bluster, with folk and blues strongly threading through their catalogue from the very beginning. This book digs into every Led Zeppelin track recorded during their decade-long existence before John Bonham's death brought down the curtain, by way of facts, anecdotes, analysis and a small dose of humour here and there. From the likes of ‘Kashmir’, ‘Stairway To Heaven’ and ‘Whole Lotta Love’ and their ilk, which have entered the public consci...
Porcupine Tree on track
Porcupine Tree began in 1987 as a solo project for Steven Wilson but became a four-piece band when Steven was later joined by Richard Barbieri, Colin Edwin, and Chris Maitland (who was later replaced by Gavin Harrison). Their first live gig was in a pub in High Wycombe, England, in 1993, but by 2010 the band had toured Europe and America extensively, ending up by playing to thousands of fans at a sold-out Royal Albert Hall in London. The band was nominated for two Grammy awards, and their last album, The Incident, made the top 30 in both the UK and the US. Although often labelled as a progressive rock band, Porcupine Tree constantly changed style. Beginning by playing psychedelic music, Porcupine Tree experimented with space rock, dance, trance and melodic pop as well as prog rock. In their last few albums, the band created a new hybrid of progressive metal riffs, melodic strength and rich vocal harmonies, with strong lyrics and powerful concepts. This aspect of the band has provided their most enduring legacy. This book analyses all Porcupine Tree’s studio albums and EPs in forensic detail, providing illuminating insight into the band’s music for existing and new fans alike.
