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A Fiddler's Tale
Companion CD contains 13 recordings from 1942-1952.
Marcel Moyse
Drawing on well over 100 interviews with European and American students, colleagues, and family members, McCutchan traces his career, with particular attention to the cultural and political conditions that helped mold him. She distills a truthful and full portrait of this charismatic, complex and sometimes puzzling man.
Giacomo Meyerbeer
ARSC Awards for Excellence, 2014: Best Historical Research in Classical Music (Certificate of Merit). This book presents a discography of recordings made from the works of Giacomo Meyerbeer (1791–1864) – from the inception of recording techniques in 1889 until the dominance of the long-playing record in 1955. It is a testimony to the once-universal fame of the composer and the esteem in which in his works were held. During that period some nearly 2000 artists (at least 1065 of them singers) recorded arias and ensembles from all six of the French operas of Meyerbeer's maturity (Robert le Diable, Les Huguenots, Le Prophète, L'Étoile du Nord, Dinorah, L'Africaine), as well as selections f...
Gramophone
None
Bulletin
None
Catalog of Copyright Entries. New Series
Includes Part 1, Books, Group 1, Nos. 1-12 (1940-1943)
That's Entertainment
Arthur Schwartz (1900-1984), a premier composer of American Popular Song during the mid-20th century, has been overlooked by historians. This first full-length biography covers his work on Broadway and in Hollywood, where he was known as the "master of the intimate revue" for his songs in the 1930s with Howard Dietz. Schwartz wrote music for films in the 1940s--with Academy Award nominations for They're Either Too Young or Too Old and A Gal in Calico--produced two popular movie musicals--Cover Girl and Night and Day--and was among the first songwriters to work in the new medium of television. The author describes his creative process and includes behind-the-scenes stories of each of his major musicals.
