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Soldiers of Song
The seeds of irreverent humour that inspired the likes of Wayne and Shuster and Monty Python were sown in the trenches of the First World War, and The Dumbells—concert parties made up of fighting soldiers—were central to this process. Soldiers of Song tells their story. Lucky soldiers who could sing a song, perform a skit, or pass as a “lady,” were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war. The Dumbells’ popularity was not limited to troop shows along the trenches. The group also managed a run in London’s West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some twelve years after the war, the Dumbells became a household name and made more than twenty-five audio recordings. If nationhood was won on the crest of Vimy Ridge, it was the Dumbells who provided the country with its earliest soundtrack. Pioneers of sketch comedy, the Dumbells are as important to the history of Canadian theatre as they are to the cultural history of early-twentieth-century Canada.
Let's Go to The Grand!
"A fascinating history of a wonderful old theatre." - Hume Cronyn In September of 1901 London’s New Grand Opera House flung open its doors. Boasting a beautiful interior design, and with the most modern stage equipment available, the theatre was large enough to accommodate over 1,700 patrons and the largest touring shows of the time. With impresario Ambrose J. Small at the helm, a new era in theatrical entertainment began. Throughout the next hundred years, the Grand Theatre hosted everything from stock companies to minstrel shows, from vaudeville to star-studded productions. The celebrated amateur theatre company, London Little Theatre, made The Grand its home for decades. As Canadian the...
Cultural Mapping and the Digital Sphere
Fourteen essays map Canadian literary and cultural products via advances in digital humanities research methodologies.
The Economics of the British Stage 1800-1914
During the nineteenth century, British theatre developed into an industry with considerable importance in the economy, diversified by whole new forms of entertainment - first music hall then cinema - evolving alongside the dramatic stage. This comprehensive study examines the theatre's growth from an economic perspective. Tracy Davis reflects the debates of economic theorists from Adam Smith to Alfred Marshall to investigate three key areas: the state's role in protecting theatre; the factors affecting the success or failure of theatre companies; and how theatre came to be regarded as one of the 'service industries'. By grounding debates about subsidization and the economic viability of the live arts in an era predating government funding, Davis sheds light on the history of cultural policy for the arts in Britain. Her book will interest scholars across a range of disciplines - theatre, social history, economics, gender studies and the sociology of culture.
Re: Producing Women's Dramatic History
Traces the process of creating theatrical "success" and investigates how the politics involved influence what we perceive as "good" playwriting.
The Devil is a Travelling Man
W.O. Mitchell jokingly called himself the great re-run king, but his retellings of age-old conflicts between humanity and the Devil strikingly display his versatile adaptive talents. The Black Bonspiel of Wullie MacCrimmon is a whimsical take on the Faust legend with a distinctly Canadian flavour. Filled with wry humour and set against the backdrop of a timeless small-town dynamic, the story of Wullie MacCrimmon's curling duel with the Devil combines the edginess of Marlowe's classic tale with the down-to-earth wry Canadian humour of "Corner Gas". The Devil's Instrument depicts a Hutterite teenager struggling with conformity in a puritan society. Mitchell's devil in this play is a figure of sympathy, but lines such as "Happy? I am free!" invite the ambiguity of whether it is better to indulge in what seems natural, or strive for the divine. Introduced by Ormond Mitchell and Barbara Mitchell and including original production photography, this collection provides humour, sobriety, and wonderful storytelling with a dash of the infernal. An essential, whimsical part of Oxford's new Milestones in Canadian Literature series.
Later Stages
Presents the first comprehensive study of 20th-century theater in Ontario, with eight original essays devoted to the evolution of performance. Subjects include professional performers and companies, "illegitimate" theater, summer festivals, university theater, the development of theatrical design, theater criticism, key playwrights of the period, and amateur theater. Concludes with an overview of resources for further study. Includes bandw photos. For students, scholars, and general readers. Paper edition (unseen), $24.95. Annotation copyrighted by Book News, Inc., Portland, OR
Calgary's Grand Story
"Calgary was a Boomtown of 50,000 people in 1912, the year the Lougheed building and the adjacent Grand Theatre were built. The fanfare and anticipation surrounding their opening marked the beginning of a golden era in the city's history. The Lougheed quickly became Calgary's premier corporate address, and the state-of-the-art Grand Theatre the hub of a thriving cultural community." "From the viewpoint of these two prominent heritage buildings, author Donald Smith introduces the reader to the personalities and events that helped shape Calgary in the twentieth century. Complemented by over 140 historical images, Calgary's Grand Story is a tribute to the Lougheed and the Grand, and celebrates their unrivalled position in the city's political, economic, and cultural history."--BOOK JACKET.
Shakespeare--made in Canada
The Macdonald Stewart Art Centre's exhibition explores contemporary Canadian adaptations in theatre, pop media, and visual arts in a demonstration of the Shakespeare effect in Canadian culture. It brings together for the first time hundreds of rare artifacts, including the Canadian-owned Sanders portrait, contemporary Canadian theatre designs, Shakespeare in French Canada, contemporary Aboriginal adaptations of Shakespeare, new portraiture, an innovative learning commons for youth, as well as new and archival material from the Canadian Adaptations of Shakespeare Project, the L. W. Conolly Theatre Archives (University of Guelph), and the Stratford Festival of Canada.
