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Publishers' Directory
Provides detailed information on more than 20,000 U.S. and Canadian publishers, including nearly 1,000 distributors, wholesalers and jobbers, as well as small independent presses. The latest edition adds approximately 500 new entries with increased Canadian listings and Web site and e-mail addresses.
Joseph Cornell
None
Bruce Helander
None
Directory of Publishing
An annual directory of the book trade which lists 1400 publishers in 20 countries (UK, Republic of Ireland and Commonwealth), and also includes detailed coverage of UK packagers, authors' agents, trade and allied associations and services.
Paths to the Press
In 1910, Bertha Jaques co-founded the Chicago Society of Etchers and helped launch a revival of American fine art printmaking. In the decades following, women artists produced some of the most compelling images in U.S. printmaking history and helped advance the medium technically and stylistically. Paths to the Press examines American women artists' contributions to printmaking in the U.S. during the early to mid twentieth century. It features work by internationally and nationally recognized figures such as Isabel Bishop, Louise Nevelson, and Elizabeth Catlett; well-known regional figures such as Chicago artist Bertha Jaques, New Mexico artist Gener Kloss, and Louisiana artist Caroline Durieux; and relatively unknown printmakers such as Chicago artist Fritzi Brod, San Franciscan Pele deLappe, and Texan Mary Bonner. The contributors include David Acton, Nancy E. Green, Melanie Herzog, Helen Langa, Bill North, Mark Pascale, and Mark B. Pohlad.
Seascapes by David Sanders Howell
Illustrated book with forty-five full color images of seascapes.
Ynez Johnston
None
David Smith
The essay & over 40 color & 20 b/w photographs are on a little known aspect of Smith's work; his reliefs in bronze, plaster & painted assemblage.
The Ferus Gallery
In 1950s California, and especially in Los Angeles, there existed few venues for contemporary art. To a whole generation of California artists, this presented a freedom, since the absence of a context for their work meant that they could coin their own, and in uncommonly interesting ways. The careers of Ed Ruscha, Wallace Berman and Ed Kienholz all begin with this absence: Ruscha turned to books as a means of dissemination, Berman pioneered mail art through his magazine Semina and in March 1957, Ed Kienholz, in collaboration with curator Walter Hopps, co-founded one of California's greatest historical galleries, Ferus. Within months of opening, Ferus, which is Latin for "wild," gained notori...
