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A Future without Borders (FWB) offers an explanation of why the recent, but by now distant, movements of the “Occupy Wall Street” activists have repeated themselves across the globe. The book demonstrates some of the processes inherent to an adapting cosmopolitanism (a call for civility, a call for Justice, a call for a collective responsibility or accountability) that is not individualistic in nature. Until recently, the statal/national problems understood as politico-economic failures were conceived as isolated problems, failures of statal institutions that are particular to certain countries. FWB contests the Westphalian logic that explains these circumstances, as national failures and argues instead that the conditions be assessed as extensions of the global economic and ideological failures that they surely are. Contributors are: Anton Allahar, Arnold Farr, Andrew Fiala, Pierre-André Gagnon, Bill Gay, Kurtis Hagen, Linden F. Lewis, Tracey Nicholls, Richard T. Peterson, Jorge Rodriguez, Eddy M. Souffrant, and Hilbourne A. Watson.
Richard A. Schwarzlose's long-awaited two-volume The Nation's Newsbrokers makes a major contribution to the history of journalism in the United States. Schwarzlose traces the development of the Associated Press and the predecessors of United Press International from scattered beginnings in the 1840s to their emergence as a mature national institution in the World War I era. Volume 2 studies the rapid growth of intercity news gathering and distribution after the Civil War, including the deterioration into collusion among newsbrokers, and changes in technology and reporting within the context of attempts to monopolize the flow of information.
This practical, down-to-earth guide for surface collectors of arrowheads and stone artifacts is designed especially for amateur archaeologists and people interested in learning how to study and collect artifacts safely and responsibly. The author reveals invaluable tips on: where to look for artifacts; how to identify artifacts; where surface collecting is permissible; starting and caring for your own collection. With more than fifty new photographs and illustrations of common and rare artifacts, this book is the perfect addition to libraries of amateur archaeologists thirsty for knowledge about preserving and interpreting the remains of a prehistoric culture.
This practical, down-to-earth guide for surface collectors of arrowheads and stone artifacts is designed especially for amateur archaeologists and people interested in learning how to study and collect artifacts safely and responsibly. The author reveals invaluable tips on: where to look for artifacts; how to identify artifacts; where surface collecting is permissible; starting and caring for your own collection. With more than fifty new photographs and illustrations of common and rare artifacts, this book is the perfect addition to libraries of amateur archaeologists thirsty for knowledge about preserving and interpreting the remains of a prehistoric culture.
This book is the first to place the contemporary debate over media bias in historical context, illustrating how partisan bias in the American media has built political parties, set the stage for several wars, and even contributed to the rise and fall of U.S. presidents. The author discusses the rise of the unprecedented post-World War II model of objective journalism and explains why this model is breaking down under the challenge of a new generation of technology-driven partisan media alternatives.
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Two Vermonts establishes a little-known fact about Vermont: that the state's fascination with tourism as a savior for a suffering economy is more than a century old, and that this interest in tourism has always been dogged by controversy. Through this lens, the book is poised to take its place as the standard work on Vermont in the Gilded Age and the Progressive Era. Searls examines the origins of Vermont's contemporary identity and some reasons why that identity ("Who is a Vermonter?") is to this day so hotly contested. Searls divides nineteenth-century Vermonters into conceptually "uphill," or rural/parochial, and "downhill," or urban/cosmopolitan, elements. These two groups, he says, nego...