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This book considers the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s-1970s,focusing on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houédard and Bob Cobbing. It will be a vital resource for students andscholars of modernism, intermedia art and British literature.
A political, cultural, and intellectual study of race, sex, and Western empire. This book interrogates a system that represents race, gender, sexuality, and class in certain systematic and oppressive ways. It connects sex and eroticism to geopolitics to examine the logic, operations, and politics of sexuality in the West.
These paintings - dreams of nature as a web of life in which human beings occupy a peripheral role - overwhelmed Rousseau's contemporaries with their novel light effects, original perspective, and "sheer profusion of visual sensation." While Baudelaire considered them superior to even Corot's works, they baffled art critics and have never fit convincingly into the received categories of naturalism, "pre-Impressionism," or modernism."--Jacket.
Updated edition of the author's History of the British & irish Lions.
"If you have a desire to lead positive change and take charge of your own life, read this book. This book shows you how you can make sense out of life, lead positive change, and make tough decisions. Read Making Life's Puzzle Pieces Fit and learn the secrets of taking charge of your own life!"
A book to challenge the status quo, spark a debate, and get people talking about the issues and questions we face as a country!
How Catholic was Thomas Merton? Since his death in 1968, Merton’s Catholic identity has been regularly questioned, both by those who doubt the authenticity of his Catholicism given his commitment to ecumenical and interreligious dialogue and by those who admire Merton as a thinker but see him as an aberration who rebelled against his Catholicism to articulate ideas that went against the church. In this book, Gregory K. Hillis illustrates that Merton’s thought was intertwined with his identity as a Catholic priest and emerged out of a thorough immersion in the church’s liturgical, theological, and spiritual tradition. In addition to providing a substantive introduction to Merton’s life and thought, this book illustrates that Merton was fundamentally shaped by his identity as a Roman Catholic.
The Orange Bowl has been played 88 times since 1935. Originating as the small Festival of Palms Bowl, meant to attract tourists to Miami, it has grown into a national football event watched by 16 million people. Beginning with Bucknell's first victory over Miami, this book covers each Bowl in detail, including the first game in Miami Orange Bowl stadium in 1938; Charles Bryant's breaking of the color barrier in 1955; the four national championship games of the 1980s; the move to what is now Hard Rock Stadium in the 1990s; and the new era of the Bowl as a semifinal game in the College Football Playoff.
Images of children and families abound in the works of the French Impressionists, from Claude Monet's portraits of his young sons to Mary Cassatt's endearing images of mother and child. In Impressionist Children, Greg M. Thomas offers new perspectives on some of the most famous paintings in art history, explaining how they reflect the dominant social, cultural, and political aspects of Parisian middle-class life in the late 1800s. Drawing on letters, children's books, tourist guidebooks, and 19th-century texts on child development, parenting, and education, Thomas skillfully demonstrates how childhood became a crucial theme for its embodiment of adult ideas about childhood, the family, sexuality, work and leisure, national culture, and, above all, the formation and reproduction of bourgeois identity. He discusses paintings, prints, drawings, and sculptures by Impressionist artists and investigates the influence of popular visual culture--fashion, toys, studio photography, and illustrations in books, magazines, and park guides--on the Impressionists' conceptualization of childhood and family relations.
A must-read collection of stories by Scottish crime writer Val McDermid, “one of the bright lights of the mystery field” (The Washington Post). Val McDermid’s novels have won the Los Angeles Times Book of the Year Award and the Crime Writers’ Association’s Gold Dagger and Cartier Diamond Dagger Award for outstanding achievement. Enjoyed by millions of fans worldwide, her intelligent, incisive crime fiction showcases the best and worst of human nature. Here it is now, distilled into a superb collection of nineteen nail-biting, perfectly plotted short stories, including two featuring private eye Kate Brannigan and a foreword by Ian Rankin. “McDermid is as smooth a practitioner of crime fiction as anyone out there . . . She’s the best we’ve got.” —The New York Times Book Review