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Hegel and Spinoza
Gregor Moder’s Hegel and Spinoza: Substance and Negativity is a lively entry into current debates concerning Hegel, Spinoza, and their relation. Hegel and Spinoza are two of the most influential philosophers of the modern era, and the traditions of thought they inaugurated have been in continuous dialogue and conflict ever since Hegel first criticized Spinoza. Notably, eighteenth- and nineteenth-century German Idealists aimed to overcome the determinism of Spinoza’s system by securing a place for the freedom of the subject within it, and twentieth-century French materialists such as Althusser and Deleuze rallied behind Spinoza as the ultimate champion of anti-Hegelian materialism. This c...
The Object of Comedy
What is the object of comedy? What makes us laugh and why? Is comedy subversive, restorative or reparative? What is at stake politically, socially and metaphysically when it comes to comedic performances? This book investigates not only the object of comedy but also its objectives – both its deliberate goals and its unintended side effects. In researching the object of comedy, the contributions gathered here encounter comedy as a philosophical object: instead of approaching comedy as a genre, the book engages with it as a language, a medium, an artifice, a weapon, a puzzle or a trouble, a vocation and a repetition. Thus philosophy meets comedy at the intersection of various fields (e.g. psychoanalysis, film studies, cultural studies, and performance studies) –regions that comical practices and theories in fact already traverse.
The Ethics of Ernst Lubitsch
Against the idea that comedy offers us a relief from the horrors of the real world, the German-Jewish-American filmmaker Ernst Lubitsch defended his masterpiece To Be or Not to Be, a comedy from 1942 about the concurrent Nazi occupation of Poland, with the claim that he had made up his mind “to make a picture with no attempt to relieve anybody from anything at any time.” The essays included in The Ethics of Ernst Lubitsch consider Lubitsch’s work from his early Berlin years to his Hollywood fame, emphasizing the idea of ‘comedy without relief’ as the fundamental ethical premise of his special cinematic ‘touch.’ In this edited collection, contributors take a closer look at how Lubitsch addresses delicate and controversial topics like sexuality, love, and revolution, and set out a picture of an engaged ethics without moralism. The Ethics of Ernst Lubitsch is a vital contribution to film scholarship and a tribute to an essential filmmaker.
The Palgrave Handbook of German Idealism and Poststructuralism
The Palgrave Handbook of German Idealism and Poststructuralism offers a wide-ranging dialogue between theory and German Idealism, joining up the various lines of influence connecting German Idealist and Romantic philosophies in all their variety to post-'68 European philosophies, from Derrida and Deleuze to Žižek and Malabou. Key features: Provides in-depth reflections on the various conversations between German Idealism and theory, including an expanded canon of Idealist philosophers and a wide range of contemporary anti-foundationalist thinkers. Includes marginalized voices and concepts that reflect both contemporary concerns as well as the sheer abundance of readings of German Idealism ...
Dialectics of the Big Bang and the Absolute Existence of the Multiverse
This interdisciplinary book develops a dialectical narrative about the beginning of the universe by combining Hegel’s philosophy with texts about the Big Bang theory. Scientific accounts of the Big Bang indicate that the first second of existence was an eventful period in which the universe progressed through six different epochs. Bringing together cosmological narratives and Hegel’s writings (particularly The Science of Logic), Gregory Phipps reads this movement as a dialectical progression, a sequence of transitions among interlinked concepts like being and nothing, finitude and infinitude, and space and time. He also draws upon Hegel’s concept of absolutes to outline a model of the ...
Spinoza’s Ethics of Interpretation
This book examines Spinoza's ontological argument and introduces the concept of "paradoxical singularity." It explores the ways in which Spinoza’s ontology establishes a framework in which singular things are, paradoxically, differentiated through intersecting causes. The book argues that Spinoza's ontological argument functions at once as a philosophical, religious, and political ethos in which interpretation is inseparable from cooperation. This emphasizes a connection between the productions of knowledge (interpretation) and the way of life (ethos) that those productions involve and express. Recommended for scholars interested in Spinoza's influence on post-structuralism, trans-individuality, and the history of secular religious thought.
Perspective as Logic: Positioning Film in Architecture
Perspective as Logic offers an architectural examination of the filmic screen as an ontologically unique element in the discipline’s repertoire. The book determines the screen’s conditions of possibility by critically asking not what a screen means, but how it can mean anything of architectural significance. Based on this shift of enquiry towards the question of meaning, it introduces Jacques Lacan and Alain Badiou in an unprecedented way to architecture—since they exemplify an analogous shift of perspective towards the question of the subject and the question of being accordingly. The book begins by positing perspective projection as being a logical mapping of space instead of a matte...
On Power in Architecture
Architecture has always been a decisive manifestation of power. This volume represents an attempt to question and reflect on the relationship between power and architecture from three philosophical perspectives: materialistic, phenomenological and post-structuralist. This collection opens an interdisciplinary investigation that aims to reflect on architecture and its interconnectedness with power within philosophy and cultural theory at large while presenting these concepts using practical examples from the built environment. Internationally recognised authors – philosophers, architectural theorists and historians – Andrew Benjamin, Andrew Ballantyne, Mladen Dolar, Hilde Heynen, Nadir La...
The Politics and Psychoanalysis of Comedy
This book looks at the political aspects of comedy and how humor is shaped by unconscious social and psychological factors within a particular cultural and historical context. Updating Freud’s work on jokes, Robert Samuels argues that any universal model of comedy must take into account the role played by distinct genres, which are themselves determined by particular political psychopathologies. In looking at contemporary comedy, we encounter a structure that is often seen throughout the world: in response to what is experienced as a Leftist super-ego censoring thoughts and speech and a Libertarian Right which promotes free speech as the ultimate value. Within this dynamic, comedians seeking to make their audience laugh by poking fun at sensitive and taboo subjects, intentionally and unintentionally, these humorists present an alternative to Left-wing political correctness and identity politics. Contemporary comedians then cannot help but to cater to Right-wing politics since the Right is centered on loudly rejecting the cultural dictations of the Left.
