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An Ape Ethic and the Question of Personhood
Gregory F. Tague’s An Ape Ethic and the Question of Personhood argues that great apes are moral individuals because they engage in a land ethic as ecosystem engineers to generate ecologically sustainable biomes for themselves and other species. Tague shows that we need to recognize apes as eco-engineers in order to save them and their habitats, and that in so doing, we will ultimately save earth’s biosphere. The book draws on extensive empirical research from the ecology and behavior of great apes and synthesizes past and current understanding of the similarities in cognition, social behavior, and culture found in apes. Importantly, this book proposes that differences between humans and ...
Making Mind
Making Mind: Moral Sense and Consciousness in Philosophy, Science, and Literature posits the genesis of narrative as an adaptive function stemming from consciousness and moral sense. The book is unique with its idea of the individual character evolving narrative in relation to the group. Central to the argument is the claim that prehistorically, consciousness and moral sense intersected to form narrative. More than addressing the origin of story, the book examines and explains the evolution of narrative. The book is an interesting study of how our species-inherited moral sense can differ dramatically from one individual to another. While mores pertain to a group, narrative comes from and is processed by the individual and reaches its high point in the novel. We see how the moral sense works in characters as a monitor, and we feel it operating in us as readers in terms of approval, or not.
The Persistence of the Human
Recent narrative fiction and film increasingly exploit, explore and thematize the embodied mind, revealing the tenacity of a certain brand of humanism. The presence of narratively based concepts of personal identity even in texts which explore posthuman possibilities is strong proof that our basic understanding of what it means to be human has, despite appearances, remained mostly unchanged. This is so even though our perception of time has been greatly modified by the same technology which both interrupts and allows for the rearrangement of our experience of time at a rate and a level of ease which, until recently, had never been possible. Basing his views on a long line of philosophers and...
Presence of the Body
Presence of the Body provides an interdisciplinary forum for the dialogue between theory and practice about the impact of the body on human awareness in the fields of art, writing, meditative practice, and performance. This dialogue benefits from the neuro-systematic integration of “embodied” knowledge in the cognitive sciences, but it also suggests creative and transformative dynamics of embodiment which, beyond conceptualisation, emerge in sophisticated acts of writing, performing and meditating. Exploring the presence and experience character of the body-awareness relationship, a double perspective beyond cognitive fixations is suggested: 1) a body-centred touch of the world which inspires life as a creative ‘writing’ process, and 2) in line with Buddhist thought, an empty space of ‘pure presence’ from which all conscious processes originate.
A Story of Us
Changes in the environment drive evolution, and evidence suggests that our ancestors evolved to use cultural adaptations to survive environmental fluctuations of great severity. In A Story of Us, Lesley Newson and Peter Richerson explain the evidence and ideas that provide an account of how they coped, using short descriptive stories to illustrate life at different stages of our evolutionary history.
The Subject of Aesthetics
How does art influence us? In The Subject of Aesthetics, Tone Roald approaches aesthetics as a psychological discipline, showing how works of art challenge our habitual ways of perceiving the world. While aesthetics has traditionally been a philosophical discipline, Roald discusses how it is very much alive in the realm of psychology – a qualitative psychology of lived experience. But what actually constitutes an aesthetics of lived experience? The book answers that question by analyzing people’s own engagement with visual art. What emerges is that the object of aesthetics is indeed the subject.
Art and the Brain
In her new book Art and the Brain: Plasticity, Embodiment and the Unclosed Circle, Amy Ione offers a profound assessment of our ever-evolving view of the biological brain as it pertains to embodied human experience. She deftly takes the reader from Deep History into our current worldview by surveying the range of nascent responses to perception, thoughts and feelings that have bred paradigmatic changes and led to contemporary research modalities. Interweaving carefully chosen illustrations with the emerging ideas of brain function that define various time periods reinforces a multidisciplinary framework connecting neurological research, theories of mind, art investigations, and intergenerational cultural practices. The book will serve as a foundation for future investigations of neuroscience, art, and the humanities.
Art and Adaptability
Art and Adaptability argues for a co-evolution of theory of mind and material/art culture. The book covers relevant areas from great ape intelligence, hominin evolution, Stone Age tools, Paleolithic culture and art forms, to neurobiology. We use material and art objects, whether painting or sculpture, to modify our own and other people’s thoughts so as to affect behavior. We don’t just make judgments about mental states; we create objects about which we make judgments in which mental states are inherent. Moreover, we make judgments about these objects to facilitate how we explore the minds and feelings of others. The argument is that it’s not so much art because of theory of mind but art as theory of mind.
Stoicism and Performance
Power’s Stoicism and Performance presents Stoicism as a means of navigating key debates and concepts in contemporary theatre and performance. Stoicism has influenced many of the most cited radical thinkers in the discipline of theatre and performance studies; for instance Deleuze, Foucault, Kristeva, Agamben. A central aim of this work is to bring Stoicism more explicitly into the fold of the discipline, and to use Stoicism to think differently about performance. With a series of chapters covering themes such as performativity, embodiment, emotion, affect and spectatorship, this book finds points of encounter between Stoicism and contemporary understandings and practices of performance. It presents these encounters as modes of transformative experience in relation to our being in the world.
Battle Runes
"'Battle Runes' opens in a child's voice and ends with a child's concern; the book begins in horror and terror and ends with care and hope; the collection starts in darkness and ends in color. The stories and poems - while focused on war - include private and public spaces, often addressing family relationships, such as those between husbands and wives, brothers and sisters, or parents and children. While there is blood in these pages, the emphasis is on the complex psychological dimensions of war. The individual stories cohere around problems of humanity during war, questions about what is humane and what is inhumane. Wars touched on in this book (from various perspectives) include: the American Civil War, World War I, World War II, the Vietnam War, the African Wars (South Sudan, C.A.R., Congo, Uganda), the Balkan Wars, the Iran-Iraq War, and the Wars in Iraq and Afghanistan. In each and every case the emphasis is on the individual human element, the physical, mental, and spiritual devastation to people who fall victim to social or political forces often byond their control"--Preface, Fredericka A. Jacks, p. xi.
