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In a hugely ambitious study which crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity. Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called “the Homintern” (an echo of Lenin’s “Comintern”) by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers,...
Discusses the themes of the male body, war, and homosexual love in poetry, and analyzes the poetry of D.H. Lawrence, Hart Crane, W.H. Auden, Allen Ginsberg, and Thom Gunn.
Account of male gay literature across cultures and languages and from ancient times to the present. It traces writing by and about homosexual men from ancient Greece and Rome through the Middle Ages and Renaissance to the twentieth-century gay literary explosion. It includes writers of wide-ranging literary status (from high cultural icons like Virgil, Dante, Marlowe, Shakespeare, and Proust to popular novelists like Clive Barker and Dashiell Hammett) and of various locations (from Mishima s Tokyo and Abu Nuwas s Baghdad to David Leavitt s New York). It also deals with representations of male-male love by writers who were not themselves homosexual or bisexual men.
Longlisted for the Polari Book Prize 2022 Gregory Woods is the leading British critic and historian of gay literature. He has published five previous Carcanet poetry collections, the first being We Have The Melon (1992). Ten years in the making, Records of an Incitement to Silence revisits many of the original themes, but here Woods brings them closer to the endgame. The sequence of stripped-down, unrhymed sonnets, and the longer poems that accentuate it, suggest a missing narrative: the growth of the individual in a world of upheaval, the search for and loss of love, the formation of memories, the limits of what can truthfully be said, the traces we leave and the chance of their survival. 'One of my creative habits,' Woods writes, 'is the wringing-out of a single form until it's bone dry: the unrhymed sonnets; the monosyllabic syllabics of the long poem 'Hat Reef Loud'; the incompatible yoking-together of iambic pentameter and dactylic trimeter in the long poem 'No Title Yet'.' His formal stringency intensifies the poems' emotional and erotic charge, their celebration and their plaint.
Both intimate and detached, this poetry compilation delves into the politics and aesthetics of desire--sacred and profane, frantic and serene, refined and grubby. Reflecting upon the comedy of human needs and the vanity of human wishes, these poems consider times of crisis when history is lived and reinvented, myth degenerates into faith, and reason falters. On this journey in which chance always prevails, the mood ranges from cheerful equanimity to gloomy desperation.
Layered with rich insight, this powerful collection of prose provides an unidealistic stance on homosexuality that evokes the many landscapes of sensuality and desire.
An Ordinary Dog is a carnival of clashing forms and tones, all deployed with a cool wit and technical precision. They bear sceptical witness to - what? To the affecting ordinariness of human needs, to the vanity of human wishes. Woods writes about desire: sacred and profane, serene and frantic, refined and grubby - often betrayed by cussedness, always complicated by external events. Looking back to times of crisis when history is endured and re-invented, An Ordinary Dog explores where myth degenerates into faith and reason falters. The mood veers between equanimity and desperation; the focus between detachment and intimate involvement.
After his wife's death a grieving king journeys to an old bear's cave in the mickle woods, where he hears three stories that help him go on living.
"Creating channels with application programming interfaces"--Cover.
'[Nelson's] style is swift and straightforward, his narrative gift considerable ... Consistently diverting, this may be the novel about homosexuality to end all novels on the subject .. . [W]ill make many a reader's day.' - Julian MacLaren-Ross, Punch 'Talented, amusing ... the story is told with sustained suspense: the various men in it are not merely types, but flesh and blood, even if one wishes that Patrick had never been born.' - John Betjeman, Daily Telegraph 'Odiously funny and delightfully unwholesome ... a distinct relief after the ponderous treatment homosexuality has tended to get in some recent novels.' - Sunday Times '[S]harp, witty, malicious ... wonderfully developed in the be...