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From National Book Award finalist Carrie Arcos--a fresh take on happily ever after, and friendship, that is anything but a love story. When your namesake is Pablo Neruda—the greatest love poet of all time—finding “the one” should be easy. After all, sixteen-year-old aspiring artist Neruda Diaz has been in love many times before. So it’s only a matter of time before someone loves him back. Callie could be that someone. She’s creative and edgy, and nothing like the girls Neruda typically falls for, so when a school assignment brings them together, he is pleasantly surprised to learn they have a lot in common. With his true love in reach and his artistic ambitions on track, everythi...
Keylo Remer is a quite famous and very popular movie star. He’s in Dahlonega, Georgia, preparing to make a movie in this quaint little town. Jamie Greyson is a wealthy financier who comes from a very old Georgian family from Dahlonega. He lives with his six-year-old son who’s always trying to set him up. Hunter wants his dad married, but Jamie tells his son that he’s waiting to marry Keylo Remer. The two men run into each other at the popular restaurant, Shenanigans. Keylo’s dining alone, while Jamie and his friends are having dinner there. Jamie spots him, and his friend goads him into inviting Keylo to join them. The two instantly hit it off, and their friendship blooms. Very quickly, they fall in love. Their romance grows despite Jamie having a crazy actor-hating mother. They have their bumps in the road, but they make it to their wedding—and then tragedy strikes. Can strong will and unbroken love get them through it all?
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This book argues that hierarchies in interpersonal relations are inextricably linked to the main power differentials of our social and political life (gender, class, age, and race); therefore it is not surprising that they govern our psychic lives. Recent writing enables an exploration of their positive potential, especially in fantasy, as well as their danger. The book focuses on the writing of the last thirty years, revisiting also Whitman, Wilde, Mann, Forster, and Genet, and reassessing the very idea of a gay canon.