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The Monster That Is History
In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations.
The Monster That Is History
In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations. Taking into account the campaigns of violence and brutality that have rocked generations of Chinese—often in the name of enlightenment, rationality, and utopian plenitude—this book places its arguments along two related axes: history and representation, modernity and monstrosity. Wang considers modern Chinese history as a complex of geopolitical, ethnic, gendered, and personal articulations of bygone and ongoing events. His discussion ranges from the politics of decapitation to the poetics of suicide, and from the typology of hunger and starvation to the technology of crime and punishment.
Regional Literature and the Transmission of Culture
Regional Literature and the Transmission of Culture provides a richly textured picture of cultural transmission in the Qing and early Republican eras. Drum ballad texts (guci) evoke one of the most popular performance traditions of their day, a practice that flourished in North China. Study of these narratives opens up surprising new perspectives on vital topics in Chinese literature and history: the creation of regional cultural identities and their relation to a central “Chinese culture”; the relationship between oral and written cultures; the transmission of legal knowledge and popular ideals of justice; and the impact of the changing technology of the late nineteenth and early twenti...
Peerless Martial God
In this universe, the level of martial arts is the standard to judge people. Only talent and hard-working were both satisfied, can people achieve the peak. Lin Feng has both the marvelous gift and the perseverance, so that he can handle all kinds of martial arts as long as he learned. He becomes to the pinnecal very soon with his talent and perseverance. ☆About the Author☆ Jing Wuhen is an online novelist. His work has been at the top of the leaderboard for a very long time, although he is as famous as other outstanding novelist. Super popularity and praise add a lot of value to his work. has ups and downs plots, which are really exciting. Both the plots and writing of this novel are remarkable.
Martial God of the Galaxy
The vast universe, endless stars; each of the most dazzling stars represented one of the supreme elders of the Spirit Martial Continent. It was rumored that the most powerful spirit cultivator in the Spirit Martial Continent could fuse the six stars in the sky and become immortal. Song of the Wind: What are six stars? I want to fuse seven stars to form the Big Dipper Astral Soul. I want to reach the heavens and look down at the heavens! This book's grade of martial arts: Martial Disciple, Martial Grand Master, Martial Grand Master, Martial Spirit, Martial King, Martial King, Martial Saint, Martial Saint, Martial Emperor, and Martial God.
Knowledge and Text Production in an Age of Print: China, 900-1400
"The essays in this volume come mostly out of the conference, 'First Impressions: The Cultural History of Print in Imperial China (8th-14th centuries), ' that took place at the Fairbank Center for East Asian Research, Harvard University, June 25-27, 2007"--Acknowledgements.
CEO Lu, Your Wife Runs Away Again
Gu Mo Cheng only married the Mu family's daughter to humiliate the Mu family.Moreover, he was selfish enough to hope that this chess piece would not fight over it, not cry over it.But when this chess piece was done, Gu Mo Cheng became extremely irritable, "I'm eating with other women, why aren't you jealous?"Mu Wenwen cast a sidelong glance at him, "What are you crazy about?""..." Yeah, what happened to him?Thus, Young Master Gu could bear it no longer, but when Mu Ran looked at the other men, he couldn't help but get angry. "Mu Ran, I'm going to hide you!""I don't want to."Young Master Gu: "Then lock him up!""..."Everyone else: Mmm, it smells really good, Young Master Gu.
Communication in China
The stakes for control over the means of communication in China have never been so high as the country struggles with breathtaking social change. This authoritative book analyzes the key dimensions of the transformation in China's communication system since the early 1990s and examines the highly fluid and potentially explosive dynamics of communication, power, and social contestation during China's rapid rise as a global power. Yuezhi Zhao begins with an analysis of the party-state's reconfiguration of political, economic, and ideological power in the Chinese communication system. She then explores the processes and social implications of domestic and foreign capital formation in the commun...
Paper Swordsmen
The martial arts novel is one of the most distinctive and widely-read forms of modern Chinese fiction. In Paper Swordsmen, John Christopher Hamm offers the first in-depth English-language study of this fascinating and influential genre, focusing on the work of its undisputed twentieth-century master, Jin Yong. Through close readings of Jin Yong’s recognized masterpieces, Hamm shows how these works combine a rich literary tradition with an extraordinary narrative artistry and an evolving appreciation of the political and cultural aspects of contemporary Chinese experience.
