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Transformation! Innovation?
Public discourse on cultural identity was not possible on the island of Taiwan until martial law was lifted there in 1987. While until then culture had mainly been an arena for the suppressed political discourse, the demise of the oneparty reign of the Guomindang (KMT) at the end of the 20th century signified not only the transformation from an autocratic to a democratic system but also the end of the cultural hegemony of the mainlanders on the island. The transformation process paved the way for further cultural innovation, the keywords here being education reform, language debate, establishment of new academic disciplines, historiographic reconstruction etc. It has also led to a widespread discussion of a specifically Taiwanese cultural identity which is reflected in literature, language, art, theatre and film. The international workshop "Transformation! - Innovation? Taiwan in her Cultural Dimensions", held at Ruhr University in Bochum from March 7th-9th 2001, set out to shed new light on these issues and generated an intensive discussion of potential new interdisciplinary approaches to cultural and literary research in the field of Taiwan studies.
Literature, Modernity, and the Practice of Resistance
This book is a cross-cultural, interdisciplinary study which compares responses to modernity in the literary cultures of contemporary Japan and Taiwan. Moving beyond the East-West paradigm that has traditionally dominated comparativism, the volume explores these literatures within the regional frame.
Remembering May Fourth
Read an interview with Carlos Yu-Kai Lin. Remembering May Fourth: The Movement and its Centennial Legacy is a collective work of thirteen scholars who reflect on the question of how to remember the May Fourth Movement, one of the most iconic socio-political events in the history of modern China. The book discusses a wide range of issues concerning the relations between politics and memory, between writing and ritualizing, between fiction and reality, and between theory and practice. Remembering May Fourth thus calls into question the ways in which the movement is remembered, while at the same time calling for the need to create new memories of the movement.
Painters and Politics in the People's Republic of China, 1949-1979
"That Julia Andrews has reached sources that are so sensitive and difficult with such success is remarkable. The book is unquestionably a brilliant job, well-written, understandable, and of enormous scholarly value."--Joan Lebold Cohen, author of The New Chinese Painting
A History of Pain
This work probes the restaging, representation, and reimagining of historical violence and atrocity in contemporary Chinese fiction, film, and popular culture. It examines five historical moments including the Musha Incident (1930) and the February 28 Incident (1947).
Literary Culture in Taiwan
With monumental changes in the last two decades, Taiwan is making itself anew. The process requires remapping not only the country's recent political past, but also its literary past. Taiwanese literature is now compelled to negotiate a path between residual high culture aspirations and the emergent reality of market domination in a relatively autonomous, increasingly professionalized field. This book argues that the concept of a field of cultural production is essential to accounting for the ways in which writers and editors respond to political and economic forces. It traces the formation of dominant concepts of literature, competing literary trends, and how these ideas have met political and market challenges. Contemporary Taiwanese literature has often been neglected and misrepresented by literary historians both inside and outside of Taiwan. Chang provides a comprehensive and fluent history of late twentieth-century Taiwanese literature by placing this vibrant tradition within the contexts of a modernizing local economy, a globalizing world economy, and a postcolonial and post-Cold War world order.
A Critical History of Contemporary Chinese Fiction
This book studies the history of contemporary Chinese fiction criticism, highlighting the role of critics in shaping contemporary literary history. The author divides the history of contemporary Chinese fiction criticism into three periods: 1949–1976, 1977–1991, and 1992–2015. The first period saw the emergence of the circle of critics who insisted on judging literary works by political standards. The second period brought the rise of the Beijing Critics’ Circle and the Shanghai Critics' Circle. The former advocated “artistic standards” in judging works, while the latter introduced contemporary Western literary theories into literary criticism. The third period marked the emergen...
Unsettling Exiles
The conventional story of Hong Kong celebrates the people who fled the mainland in the wake of the establishment of the People’s Republic of China in 1949. In this telling, migrants thrived under British colonial rule, transforming Hong Kong into a cosmopolitan city and an industrial and financial hub. Unsettling Exiles recasts identity formation in Hong Kong, demonstrating that the complexities of crossing borders shaped the city’s uneasy place in the Sinophone world. Angelina Y. Chin foregrounds the experiences of the many people who passed through Hong Kong without settling down or finding a sense of belonging, including refugees, deportees, “undesirable” residents, and members of...
